Hitler? I hardly know ‘er! Jojo Rabbit (2019)

Can you do a heartwarming, goofy comedy about the Second World War and the horrors of Nazism? Should you do a comedy about the horrors of Nazism? Those questions would require a longer answer, one that I can’t necessarily give, but let’s start with this: as far as I’m concerned, you can definitely do comedy about four terrorist jihadis that is heartbreaking, dark and hilarious. Though admittedly, Four Lions didn’t feature a wacky imaginary Osama Bin Laden.

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All hail the God of Silliness

If you had told me a year ago that a Thor film would be one of my favourite Marvel movies in recent years, I would have looked at you like you were touched in the head, possibly by a mythical hammer. For me, the two first Thor films were firmly at the bottom of the MCU, kept company only by Iron Man 2. In fact, I would have said that the character Thor was my least favourite of all the main characters in Marvel’s cinematic universe (though I am not including the TV series in this reckoning, because, well, Danny Rand). Yes, thanks to The Avengers I could see that the big, blond lug had some potential, but mainly as a supporting character and as the butt of a bunch of jokes.

Thor: Ragnarok

After Thor: Ragnarok, though? Well, let’s put it like this: if you’re looking for story or theme in an MCU film, the latest adventure of the God of Thunder won’t make you a convert. If you’re expecting a plot that is significantly different from, oh, pretty much every single Marvel movie since Iron Man, you’re out of luck. If you want a movie that fully embraces the silliness inherent in this ever-growing comic book universe translated onto the screen, though? Then hell, yeah – Thor: Ragnarok is an embarrassment of riches.

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