I’ll be in my trailer… watching trailers: Singing Songs of Love

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Is there anything better at either improving or ruining a song for you than films that use the song in a very specific way? David Fincher’s Zodiac did quite the number on Donovan’s “Hurdy Gurdy Man” – which, incidentally, is also the song that Mege wrote about in this week’s Six Damn Fine Degrees.

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A Damn Fine Espresso: August 2022

Sam’s been travelling, and in this month’s espresso episode, he talks to Alan about his first-time trip to the place that is a byword for American cinema: Hollywood! What’s it like for a European movie geek to visit the city? And what kind of stardust memories has Sam added to his portfolio? Seeing how one of the films he saw while on the road was Thor: Love and Thunder, Sam discusses the movie – one of the few Marvel films he’s seen – with Alan, one of A Damn Fine Cup of Culture’s resident Marvel fans. What did the two of them think of Taika Waititi’s second go with Asgardian fan favourite Thor?

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Hitler? I hardly know ‘er! Jojo Rabbit (2019)

Can you do a heartwarming, goofy comedy about the Second World War and the horrors of Nazism? Should you do a comedy about the horrors of Nazism? Those questions would require a longer answer, one that I can’t necessarily give, but let’s start with this: as far as I’m concerned, you can definitely do comedy about four terrorist jihadis that is heartbreaking, dark and hilarious. Though admittedly, Four Lions didn’t feature a wacky imaginary Osama Bin Laden.

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All hail the God of Silliness

If you had told me a year ago that a Thor film would be one of my favourite Marvel movies in recent years, I would have looked at you like you were touched in the head, possibly by a mythical hammer. For me, the two first Thor films were firmly at the bottom of the MCU, kept company only by Iron Man 2. In fact, I would have said that the character Thor was my least favourite of all the main characters in Marvel’s cinematic universe (though I am not including the TV series in this reckoning, because, well, Danny Rand). Yes, thanks to The Avengers I could see that the big, blond lug had some potential, but mainly as a supporting character and as the butt of a bunch of jokes.

Thor: Ragnarok

After Thor: Ragnarok, though? Well, let’s put it like this: if you’re looking for story or theme in an MCU film, the latest adventure of the God of Thunder won’t make you a convert. If you’re expecting a plot that is significantly different from, oh, pretty much every single Marvel movie since Iron Man, you’re out of luck. If you want a movie that fully embraces the silliness inherent in this ever-growing comic book universe translated onto the screen, though? Then hell, yeah – Thor: Ragnarok is an embarrassment of riches.

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