Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
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Gangster portraits in recent movies have tended towards more and more nasty realism, as Julie so admirably analysed in last week’s post on iconic French gangster Jacques Mesrine. Long gone seem the late golden days of Hollywood gangster glamour, in which style prevailed over morality and sexiness seemed to make up for all crimes committed.
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