Six Damn Fine Degrees #82: Murder

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

It’s an ugly thing to kill someone, and more or less willingly, isn’t it?

There is the sanitized version of murder in countless whodunits, where the rules are clear: someone might be dead by the hand of another, and some clever brain will figure it all out, preferably in a showdown before a chimney fire, holding a long speech that ends in a big revelation. The rules are clear; the culprit, more often than not, is punished by the law, as if this was only slightly more atrocious than any hockey game. And while any sturdily waxed moustaches might have been replaced by squint-eyed scientists, the rules still apply. Miss Marple is never wrong, but science can’t lie.

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A Damn Fine Espresso: April 2022

We’ve now been doing monthly podcasts for almost five years at A Damn Fine Cup of Culture – and today we’re starting A Damn Fine Espresso: shorter, more impromptu small doses of all the cultury goodness you’ve come to expect from us! To launch the new smaller cups of culture, join Julie and Sam as they have a chat about what they’ve checked out recently. From Parisian getaways and serendipitous record stores to bad moustaches, worse CGI and films that can’t decide what they want to be…

Starting with this episode, you can get your monthly espresso where you get all of your Damn Fine goodness – so indulge in a tiny cup of our pop culture musings and let us know what you think!

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I’ll be in my trailer… watching trailers: The moustaches have it

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Is there a correct version of Hercule Poirot? And, if so – who is it? If you haven’t already done so, make sure to check out Alan’s Six Damn Fine Degrees post on just this question!

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Six Damn Fine Degrees #72: The Wrong Poirot

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

In the early ‘70s, a British film studio hoping to make a global success decided to tap into one of the nation’s most famous exports: Agatha Christie. When it came to which of her works they would adapt, they opted for Murder On The Orient Express – a story that would allow for an exotic (if relatively cheap) location and a large cast that could be filled with bankable stars. Audiences, they hoped, would head to the cinemas thanks to the name of the author and the likes of Sean Connery, Lauren Bacall, Ingrid Bergman and Anthony Perkins.

The formula worked. The film was a huge hit, a commercial triumph topping the US box office. It also enjoyed great reviews, with critics praising Sidney Lumet’s stately direction and the strength of the adaptation. Indeed both audiences and critics seemed to mention just one flaw with the film: Albert Finney as Poirot.

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Six Damn Fine Degrees #15: The Talented Mr. Finney

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

I have yet to see his romantic performance alongside Audrey Hepburn in Two for the Road, which Matt so vividly described in last week’s post, but there has been so much evidence of enormous versatility in his career, that I wanted to dedicate my post to him (who left us only two years ago, on 7th February, 2019, just two weeks prior to Stanley Donen, director of Two for the Road). To me, he will always be the actor with that special edge – the incredibly talented Mr. Albert Finney.

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