I’ll be in my trailer… watching trailers: One Preview After Another

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

For this week’s Six Damn Fine Degrees, Melane swerves towards the East, introducing us to two Chinese series she’s been enjoying – The Untamed and The Sleuth of the Ming Dynasty – and their fan translations, showing us once again that there’s a wealth of stories many of us aren’t even aware of.

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I’ll be in my trailer… watching trailers: Love, Sex, Religion, Trailers

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

If there’s Hitchcock talk to be had, Sam can’t be far away – and that’s also true of this week’s Six Damn Fine Degrees, in which Sam wrote about Hitch’s Mr. & Mrs. Smith (no, not the Brangelina vehicle from 2005, but the one starring Carole Lombard).

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I’ll be in my trailer… watching trailers: That is the question

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week’s Six Damn Fine Degrees was dedicated to one of Hollywood’s legendary foulmouths: Carole Lombard, the “Profane Angel”. Join Alan in remembering Lombard and her broad range of talents!

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Mother knows best: The Handmaid’s Tale (2017 – 2025)

Remember those last few seasons of Game of Thrones, and especially the finale? How a series that started strong took a dive once it moved past the plot written by its original author, George R. R. Martin, and, to many of its critics, became not just mediocre but outright bad in its home stretch, turning complex, nuanced characters into caricatures of themselves?

I enjoyed Game of Thrones in its first few seasons yet also found its last third disappointing, but for me, that disappointment was rather abstract. I didn’t take the series’ nosedive personally. Sure, I would have preferred for it to remain good, but I didn’t end up hate-watching the final few seasons, I just disengaged and got what fun there was to be had out of the spectacle and the nonsensical plot developments, at arms’ length.

Sadly, this didn’t work for me with The Handmaid’s Tale.

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I’ll be in my trailer… watching trailers: Cinema is the true Wayback Machine

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week’s Six Damn Fine Degrees (by our fabulous film historian Julie) looks at one of the iconic stars of the 1960s and 1970s especially: Faye Dunaway, seen through the lens of the HBO documentary Faye by Laurent Bouzereau.

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I’ll be in my trailer… watching trailers: Buggin’ out

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Criterion does have some pretty fine looking films on offer, don’t they? This week, Matt hung out with some Japanese ghosts and goblins in Kwaidan. Hold on to your ears!

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Criterion Corner: Kwaidan (#90)

Ghosts, demons, spirits: who doesn’t like them and the ways they make life more interesting? Kwaidan is full of them, in various shapes: supernaturally-propelled hair taking revenge on a bad husband, an ice spirit taking on human shape and marrying a human woodcutter until he breaks a promise, nobility and soldiers killed in a long-ago war employing a blind monk for his storytelling skills, and ghostly visitors taking umbrage at being drunk by a samurai when they appear to him in a cup of tea.

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I’ll be in my trailer… watching trailers: Itsy bitsy spider women and giant policemen

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Vengeance is a dish best served over many episodes: in this week’s Six Damn Fine Degrees, Melanie writes about the rather dark familial goings-on in the Chinese historical drama The Glory.

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Is this the real life? Knit’s Island (2023)

So many video games are about escapism – but this doesn’t mean that the worlds we escape into when we play are necessarily better worlds than the one we inhabit. No, when we pick up that controller, we often find ourselves in situations that are brutal, life-or-death: warfare, disaster, the apocalypse. It’s therefore not surprising that perhaps the most common player interaction in games is killing – or its flip side, dying. Obviously, though, that’s partly beside the point: in a virtual world, death means very little, whether you’re the one doing the dying or the one who’s killing. One Nazi, zombie, mutant less – or, if it’s the Nazi, zombie or mutant who won that particular fight, you reload and get another chance at killing rather than being killed. The worlds we escape to may not be better than ours, but they’re exciting, and the reversibility of death is obviously a plus.

But is this all these worlds can be: places where we either kill or die, over and over?

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