I didn’t make the connection until after reading the book: of course the director of Nirvana’s Heart Shaped Box video is none other than photographer Anton Corbijn, who also made his name with movies such as Control or The American.

I didn’t make the connection until after reading the book: of course the director of Nirvana’s Heart Shaped Box video is none other than photographer Anton Corbijn, who also made his name with movies such as Control or The American.
The maddening thing with most of Michael Moore’s documentaries is that at some point, he hurts his own line of argument, whether it’s an unnecessary digression or a small mistake. Moore’s oeuvre is certainly not there for comfort viewing, but I always feel restless watching something new of his because he seems to veer off at some point into the undergrowth. Remember how he quoted wrongly from the hull of a Lockheed bomber plane in Fahrenheit 9/11? He starts to build up his argument with footage, witness accounts and pictures that seem too good to be true, and then he commits a blunder that makes the movie lose steam – not all of it, but the story he wants to tell gets weaker, and the movie has a hard time recovering from it. Continue reading