A new film by Hirokazu Kore-eda is always a good reason to look up and take note. Ever since I first saw one of his films, the witty, inventive After Life (1998), the gentle giant of Japanese cinema has not disappointed me. Not all of his films are equally strong, but especially after his Cannes-winning Shoplifters (2017), I was sure I’d want to be there to see his latest at the cinema.
However, I would not have expected the new Kore-eda to be a thoroughly French éclair of a film starring Catherine Deneuve and Juliette Binoche.
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
I wanted to start this review for The Brand New Testament with the words “God exists. He lives in Brussels and is a nuisance to his wife and daughter and every living thing,” but the movie poster beat me to it. God also creates Brussels in those first few minutes titled Genesis, finds it wanting and creates humans just to amuse himself by conjuring up laws such as the one about how your phone starts ringing just as you’ve started to soak in your bubble bath. It’s a comedy, but it has serious undertones, and not just religious ones. Continue reading →