“Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves. Even when they enter deep into our world or sink below us, they still think that they are better than we are. They are different.” — F. Scott Fitzgerald
“Look, here’s the thing about being rich, it’s like being a superhero, only better. You get to do what you want. The authorities can’t really touch you. You get to wear a costume, but it’s designed by Armani and it doesn’t make you look like a prick.” — Tom Wamsgans, Succession
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
I sometimes wonder how David Simon feels about politicians. He’s definitely critical to the point of cynicism of the machinations of politics, as he is of so many of the systems we create, but having watched The Wire, Treme and now Show Me a Hero, I’ve come to the conclusion that he doesn’t hate politicians altogether, except for a certain kind of politician interested only in self-enrichment. With some of them, I actually think he feels sorry for them.
I have never been to New Orleans, and while I would like to go there, it is unlikely I’ll be traveling to the United States in the next couple of years. As a result, I cannot even begin to say whether Treme, David Simon’s four-season HBO series, delivered an accurate depiction of the city. More than that, I’m definitely not entitled to claiming that I care about New Orleans based on having watched a TV series. But I can say that I have come to love the series’ version of New Orleans – and that’s due in no small part to Simon’s unique brand of storytelling.
Join us for another A Damn Fine Cup of Culture podcast, in which we have a look at the indie horror and sci-fi films of Justin Benson and Aaron Moorhead, from the huis-clos Resolution via Spring‘s dreamy summer body horror romance to cosmic horror/sibling drama The Endless. On the way, we also stop by 1970s New York with The Deuce and dark, original genre mix Colossal, in which Anne Hathaway inadvertently destroys much of downtown Seoul – hey, it’s happened to all of us.