Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!
It’s easy to miss, but Edwin S. Porter’s short movie The Great Train Robbery from 1903 combines some original movie-making features as well as some first-time ideas for a rather young art form that are still in use today. It starts, innocently enough, with a title card, then a first stage set, where a station agent is bound and gagged by two robbers. There is a lot of overacting because there are no other title cards for the rest of the movie, so gestures and movement must express the characters’ inner lives. There isn’t even a cast list.