It’s already gone: revisiting Six Feet Under

Around the time that my father received his cancer diagnosis in 2021, I started rewatching HBO’s Six Feet Under, a five-season series about the lives of the Fisher family who run a funeral home in Los Angeles. I’d watched the entire series before, twice, the last time finishing in 2008. At the time, I wasn’t married yet (though I was already living with my now-wife), and my parents were both still alive, as were my partner’s. My mother was the first of our parents who died, in 2009. On this day a year ago, my dad died, not of the cancer he’d been diagnosed with but of complications in connection with the illness or the treatment or perhaps simply his age, and this morning I watched “Everyone’s Waiting”, Six Feet Under‘s final episode.

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I’ll be in my trailer… watching trailers: Past lives indeed!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week, Matt wrote about some of his early thoughts regarding the HBO adaptation of the bestselling game The Last of Us, and the strangeness of watching such a highly faithful prestige TV version of something he’s already experienced in an interactive format. Definitely a good opportunity to revisit one of the trailers for the game’s original release ten years ago!

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Been there, done that

There are some gamers who seem to seek validation from some game that they spent dozens of hours on being adapted for cinema or TV. Is it because Roger Ebert put down our hobby decades ago when he was still with us? (Okay, to be fair, a certain someone who shall remain me had some definite opinions on Ebert’s verdict at the time and wrote an article in response that got translated into Italian and published; at this point I wouldn’t understand that article if I tried to read it.) So, when HBO announced a few years ago that it’d bought the rights to adapt the bestselling game The Last of Us: hey, how much more validation can you get? The network that ushered in the Golden Age of Television with modern classics such as The Sopranos, The Wire, Deadwood – and, more than that, the series runner would be Craig Mazin, whose outstanding miniseries Chernobyl had made people forget that he’d written the third and fourth instalment in the Scary Movie series.

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The Corona Diaries: “When you play the game of Pandemic…”

… you win or you die. There is no middle ground.” Yeah, well, shut up, Cersei.

Remember that global pandemic? In so many places, people act as if it’s a thing of the past, but at the same time numbers have been spiking again – just the cases were much more manageable, both individually and in sum. So many people who hadn’t yet contracted the virus were getting ill, and even some that had been ill already.

My wife and I had thus far been spared by COVID-19, but almost two weeks ago she started feeling under the weather – and the next morning, BOOM. Two purple lines. A fairly high fever, coughing, and man, was she tired. The weird thing is that, if anything, I should have been the one to catch it and pass it on to her, because I am out of the flat and among people more often – but no, she was positive before me, and a couple of days later I joined the club as well.

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I’ll be in my trailer… watching trailers: Music and moonlight and love and… monsters?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Sometimes a director can be on a wavelength too different from your own, and such differences may be irreconcilable. Will Matt ever learn to love Olivier Assayas, or will Irma Vep (1996) be as good as it gets for him?

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I’ll be in my trailer… watching trailers: Sugar and spice and all things nice

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Over the last two years time has felt like it’s broken, or at least its batteries are way down. Nonetheless, it’s December, the holidays aren’t all that far away, and the twelfth of our monthly podcasts has gone up. (More on that later.) The pandemic is still going on, affecting our lives and our cultural habits, but that’s not going to keep us from making sure our cups are filled with damn great culture – such as Mike Leigh’s Naked, which Julie wrote about in this week’s Six Damn Fine Degrees.

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I’ll be in my trailer… watching trailers: Send in the frogs

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

For one, this week’s Six Damn Fine Degrees looked at pictures that don’t move – although in your mind’s eye they absolutely do: Mege wrote about J.M.W. Turner’s painting “The Fighting Temeraire”. And since he so handily mentioned Mike Leigh’s 2014 film Mr. Turner, that makes the first trailer of this Sunday post quite easy to choose.

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I’ll be in my trailer… watching trailers: Shave and a haircut…

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

What better way to start the Sunday trailer post than with barbers and meat pies? I mean, everyone needs to look good and everyone needs to eat – and who’s more aware of this than one Benjamin Barker… though most people might know him better under his alias: on Friday, Julie took our Six Damn Fine Degrees feature to dark places to write about Sweeney Todd.

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Family ties: Mare of Easttown (2021)

Honestly, if it hadn’t been for the show’s pedigree, I might not have given Mare of Easttown much of a chance. It just looked like any number of other series: a grim, drab crime story about one young woman who’s been gone for a year, another who’s found dead, and the grizzled investigator working the case. At least that investigator isn’t male for once, but then it’s not like we haven’t had a fair number of female investigators investigating the murder of other women by now. What’s to elevate Mare of Easttown over so many other grim, drab stories of violence against women?

Well, other than it being an HBO series? And the title role is played by Kate Winslet? Oh, and there’s also Julianne Nicholson, Jean Smart and Guy Pearce?

Okay, okay, streaming service: you’ve convinced me. I’ll give this a chance. Just know that it isn’t quite as easy as that to convince me. I might still watch the series and be frustrated by how much it wastes a great cast on a story that we’ve seen several dozen times already, right? Right?

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I’ll be in my trailer… watching trailers: Don’t stop–

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Matt may not be as big a fan of Anthony Hopkins as many people, but he definitely liked The Father a lot, a film that’s worth seeing for more than just its acting. Check out his thoughts on Florian Zeller’s adaptation of his own play, Le pêre.

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