The Rear-View Mirror: For A Few Dollars More (1965)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

In the opening sequence of For A Few Dollars More, a man rides a horse along a canyon in long shot, while we hear musical whistling. A shot rings out, and the ant-sized man drops off his horse, dead. During the entire opening the man lays there, dead-on centre screen, while the credits roll.

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The Rear-View Mirror: The Good the Bad and the Ugly (1966)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

Please don’t think less of me, but my introduction to Westerns was Sergio Leone’s The Good, the Bad and the Ugly. Not only was the peak of the western genre, if not over by 1966, then at least in decline, but this one here also got not made anywhere near the New World, but mainly in Spain, and by an Italian. In a way, it’s a western twice removed, but it uses some set pieces and arrays them into a three-hour spectacle that seems to know exactly how much it can stretch any kind of suspense without actually reaching breaking point. Continue reading