There are a number of classic paranoia films made in Hollywood in the 1960s and 1970s. The Manchurian Candidate is one of these, as is Francis Ford Coppola’s The Conversation.
The Parallax View (1974) by Alan J. Pakula clearly belongs on the list as well. It’s a classic, it’s memorable, it’s iconic. It has its finger on the pulse of a country and a culture where politics and murder have been intertwined for more than a century.
And sadly, I like it a lot less than those films.
Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
There is hardly any other living actress of her generation that has been as universally adored as Angela Lansbury (96). That might sound like a pretty bold statement at first, considering that she was never really considered an ‘A list’ actress in the world of cinema, and her roles, although charming, were often supporting in the best sense of the word. However, reading about the Stephen Sondheim musical adpatation of the tale of Sweeney Todd in Julie’s comprehensive piece from last week, in which Lansbury so memorably played murderous pie-maker Mrs. Lovett, only increased my adoration for this truly universally talented actress in the many fields of her craft.
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A Damn Fine Cup of Culture 