Some of us remember when we first heard that high-pitched giggle at the cinema, and watched as a thoroughly mediocre man, though one with an eye and an ear for genius, vowed to destroy the greatest composer of his generation: in 1984, Milos Forman’s film adaptation of Peter Shaffer’s stage play Amadeus came out – and made a great splash the following year at the Academy Awards, being nominated for eleven Oscars and winning eight of those, including Best Picture, Best Director and Best Actor (though, admittedly, it had doubled its chances of getting the latter by nominating both of its leads – a delightfully meta continuation of the Salieri/Mozart rivalry depicted in the film). Although Amadeus is often called a biopic, our baristas argue that it is something different altogether, and something infinitely more interesting at that. Join Julie, Sam and Matt as they revisit the 1984 hit and discuss its legacy.