Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
On Friday, Alan did a fascinating post on the Shirelles song “Boys” that was later covered by this small indie band, The Beatles – and how having Ringo Starr sing a song about “boys, now (yeah, yeah, boys)” made the lyrics take on a very different meaning. Unfortunately, it’s difficult to find trailers that directly relate to songs… but since another hit by The Shirelles was “Will You Still Love Me Tomorrow”, YouTube revealed that there’s a 2013 Taiwanese rom-com of the same title, so that will serve as the first trailer for this week’s post.
Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!
Honestly, I don’t envy the job that Peter Jackson ended up with when he became the director of the film adaptation of The Hobbit. From what I’ve read and heard, he famously didn’t want the job, having already spent years and years of his life on The Lord of the Rings, he was hired after Guillermo del Toro left the project and given relatively little time to get the show on the road, and he was told to change a two-film plan into another big fantasy trilogy. Never mind that The Hobbit, J.R.R. Tolkien’s novel, is a slim volume that cannot really be compared with the big, fat doorstop that is The Lord of the Rings.
I was prepared not to be a big fan of The Shape of Water. It looked twee and self-indulgent, and several people whose tastes I trust were lukewarm on it at best. The Hellboy movies didn’t do much for me, nor did Pacific Rim – but worse, I’d never really warmed to Guillermo del Toro’s biggest critical darling, Pan’s Labyrinth. I liked Cronos and The Devil’s Backbone, and I have a clandestine soft spot for Blade 2‘s comic book operatics, but more often than not I’ve liked del Toro’s endearing enthusiasm and the aesthetics of his films more than the films themselves.
Imagine my surprise when I really enjoyed The Shape of Water.