Movies

Criterion Corner: Army of Shadows (#385)

Matt2 Comments

Superficially, Jean-Pierre Melville’s Army of Shadows isn’t too dissimilar from the gangster movies the director is famous for: it is a chilly meditation on a world inhabited predominantly by men following a grim, unforgiving code. Trust is rare, paranoia habitual – but there are islands of friendship and absolute loyalty, so that betrayal, if and when it strikes, is all the more tragic. And yet: even if the protagonists of Army of Shadows resemble the cops and robbers of Le samouraï or Le cercle rouge, even if they live their lives according to similar rules, they are heroes in ways that Melville’s gangsters aren’t. Their goals aren’t self-serving. They fight the Nazi occupation of France.

So why does their fight feel so unheroic?

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I’ll be in my trailer… watching trailers: On the road again

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Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Matt likes exploration in video games, and that’s something that Sable offers plenty of. Check out his post on the world and feel of Sable.

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Six Damn Fine Degrees #137: Cormac McCarthy

Mege4 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

The high-priest of bloodshed and violence has died. While that sounds like a blood-curdling read, it comes in one of the most beautiful languages that literature has to offer. “He slept and when he woke he’d dreamt of the dead standing about in their bones and the dark sockets of their eyes that were indeed without speculation bottomed in the void wherein lay a terrible intelligence common to all but of which none would speak.” That is from his novel All The Pretty Horses (1992), and to me, it’s impossible not to be attracted and repulsed by that image at the same time.

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I’ll be in my trailer… watching trailers: The 2023 Assembly of the Toshiro Mifune Appreciation Society

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Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Some love them… but Matt’s more ambivalent about cult TV and cult movies. Check out this week’s Six Damn Fine Degrees to find out why – or you can also just stay here and watch this trailer for the cult classic The Prisoner. Because, after all, you are not a number, right?

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A Damn Fine Cup of Culture Podcast #70: Summer of Collaborations – Akira Kurosawa and Toshiro Mifune

The Barista Collective3 Comments

After the inaugural episode of our Summer of Collaborations (starting with Spencer Tracy and Katharine Hepburn), we’ve arrived at the second instalment of our summer series, this time focusing on a collaboration that gave us iconic performances and classic films across a range of genres – though the one that perhaps comes to mind first is that of Jidaigeki (Japanese period drama), and more specifically, the samurai film. We are, of course, talking about the films resulting from the collaboration between Akira Kurosawa and Toshiro Mifune. Join Alan, Julie and Matt as they discuss Rashomon (1950), a film that mixes genre to such an extent that Wikipedia describes it, inadequately, as a “Jidaigeki psychological thriller-crime film”; Yojimbo (1961), the action-packed samurai film that Sergio Leone’s A Fistful of Dollars stole from liberally; and High and Low (1963), a police procedural crime drama about a botched kidnapping. What made the collaboration between Kurosawa and Mifune work so well? How does it develop over these three films? And just how does Mifune manage to look so damn cool wearing a threadbare kimono and stroking his chin?

For last year’s summer series of podcasts, check this link:

A Damn Fine Cup of Culture: Summer of Directors (2022)

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Six Damn Fine Degrees #136: Some like it cult

Matt3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

The classic series The Avengers has frequently popped up on my radar, and it’s usually mentioned in positive terms. And yet, I’ve never bothered to seek it out. Too much to watch already, too many things that come first on my TV bucket list – and that’s before I even get into the favourites I’d like to revisit – if the streaming services of my choice haven’t taken them off their catalogue and erased out of existence, that is. Same with, say, Miami Vice, or Absolutely Fabulous or (don’t tell Alan) Randall and Hopkins (Deceased). And, to be honest, one main reason is that people talked about them with a great sense of reverence – or they don’t talk about them at all. They’re cult TV – and that’s something that tends to make me hesitate.

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I’ll be in my trailer… watching trailers: The silent treatment

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Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Jean-Pierre Melville is mainly known for making films that could be described stylish gangster existentialism. Le silence de la mer however is very different from Le samouraï or The Red Circle – but no less compelling, provided you can get into its much more internalised drama about a different kind of resistance from what we’re used to at the movies, as Matt argued in his post.

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Criterion Corner: Le silence de la mer (#755)

Matt2 Comments

There are many kinds of resistance. The one that’s perhaps most familiar to us – more so from the cinema screen than from personal experience, most likely – is that of taking up arms against the oppressor. The French filmmaker Jean-Pierre Melville made a number of films in which the French Résistance and its fight against the occupying German army featured, most famously perhaps Army of Shadows (which may come up more prominently in a future post), and as one might expect, the film depicts a heroic (if bleak) armed struggle.

While the setting is a similar one – the Second World War, occupied France -, the resistance of Le silence de la mer (The Silence of the Sea) is of a very different kind; as is, arguably, the characters’ struggle with each other and with themselves.

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Six Damn Fine Degrees #135: Amazing Avengers Associations

samlinder4 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Everything is connected: Just think of Emma Peel, Tracy Bond and Olena Tyrell, all played by Diana Rigg!

Reading Alan’s insightful observations about the Dark Phoenix saga from last week and his reference to British cult series The Avengers (1961-69; renewed in 1976/77, The Movie in 1999), I was reminded what these Six Degrees posts are really all about: connecting everything in the world of film, music and culture to everything else. And there is hardly another series that represents that principle of six degrees removed as well as The Avengers!

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I’ll be in my trailer… watching trailers: “Confess, Communist!” Said the Sexy Priest

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Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

A priest, a Communist and a (former) member of the Résistance walk into a confessional: while Matt’s currently enjoying a series of films by Jean-Pierre Melville, he especially enjoyed that Léon Morin, Priest was something of an odd one out, seeing how it focuses on a female protagonist.

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