To get this out of the way: how much did I like The Personal History of David Copperfield? Well, fifteen minutes into the film I felt like I had been enveloped in a warm hug, and I wanted to return the favour and hug back the film and everyone involved in it. Who would have thought that the man who brought us foul-mouthed political enforcer Malcolm Tucker and the pitch-black political satire The Death of Stalin would also be the writer-director of one of the most delightful films of recent years?Continue reading
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.Continue reading
In case the trailer didn’t already give it away, Armando Iannucci’s The Death of Stalin is a comedy. Its dialogue bristle with sharp, satirical thorns. It is at turns witty, goofy, absurdist and madcap. It is also like one of those works of art that, when you first look at them, seem to depict a rabbit or a beautiful young woman – but then you realise that you’re actually looking at a duck or an old crone, and once that realisation has set in, it’s difficult if not impossible to again see what you thought you saw at first. Once that moment has set in, The Death of Stalin becomes something much darker. The verbal humour remains, but it is revealed to be the poisonous icing on a meal that tastes of ashes and death.