Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
Another pretty busy week for all of us, though not on A Damn Fine Cup of Culture – so please bear with us while activity isn’t exactly peaking. We’ll be back before long, promise!
I admit I am probably slightly more name-driven when it comes to picking my movies. Plus, if there is a face popping up in several different genres, I might get hooked. Bill Camp seems to pop up in very diverse movies; it is really rather ironic that, for all the various genres, he often plays an unlikable character, or at least one with an impossible task or a hidden agenda. I have never consciously seen him cheerful or happy or anywhere near exuberant. It is to his credit that I never thought of him as anywhere near typecast. Speaks to the quality of his acting.
I’ve heard it said that the majority of neo-nazis and other members of extreme right-wing associations contemplate suicide at least once in their lives because subconsciously, they sense that their world-view is wrong. In Guy Nattiv’s Skin, Bryon Widner (Jamie Bell) is at this point. He is a member of the Vinlanders Social Club, not a social club at all, led by Fred ‘Hammer’ Krager (an unrecognizable Bill Camp), a stern father figure who is married to Shareen (Vera Farmiga), who actively tells everyone that they can call her Mum. It’s a bunch of people who have nowhere else to go, socially as well as economically, and they are just happy that there is someone who takes care of them and gives them things to do, no matter how vile or poisonous their chores are. The VSC is a family for people who never had a proper family. It would be a huge mistake to think that Fred and Shareen are in any way dumb or ridiculous. They provide food and shelter for strays and manipulate them into becoming white supremacists. They are not above murder, so be warned. The more they clash with their preceived enemies, the more they come alive, and the more dangerous they are. Continue reading →
I was hypnotized by The Night Of for five or six episodes, which isn’t bad at all considering that it’s an eight-part HBO miniseries. To me, it seemed to scratch the itch that season 2 of True Detective left me with. It’s on the dark side of things: it mostly takes place at night and/or indoors, but even the exterior daylight scenes look sort of gloomy. It’s about crime and punishment, and about the law, about justice and injustice, and about courts and prison. It’s set in New York, but is based on the British TV series Criminal Justice from 2008-09, starring Ben Whishaw. The Night Of, however, has no problem standing on its own. Continue reading →