When we first see the boy, he looks harmless enough. We catch a glimpse of him through a lit window; he is dressed as an angel, but his blond locks would make him look reasonably angelic even without the costume.
The music, though? It is the discordant, foreboding drone of a horror film. It puts us in mind of other cinematic children, ones called Kevin or Regan or even Damien. The visual style may be Fanny and Alexander, but the sound design is the avantgarde dread of There Will Be Blood, designed to evoke an atmosphere of unease. This child may look like an angel, yet he is anything but.
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