We watched another two episodes of the second season of Life on Mars yesterday, and while they were more enjoyable than a couple of the ones earlier this season, they still felt like variations on a theme – and minor variations at that. The impression I got was that they had material for a total of eight or nine episodes, at most. Instead they decided to stretch it to two seasons and 14 episodes altogether, and as a result much of the impact was lost. This could have been a little gem of a series, and instead it turned out to be an okay execution of a clever premise, extended past its sell-by date.
Quite a few series are milked, the episodes becoming tired, stale rehashes of earlier material. Even fans say that The Simpsons have been going on for too long (although they also argue that the last season has been a marked improvement). Same seems to go for Spooks (another BBC series by Kudos, the producers of Life on Mars), Buffy (I’ve seen few defenses of season 7), The X-Files or most of the Star Trek series.
And then you get series that are killed untimely. Firefly and Deadwood come to mind, but I’m sure there are other examples as well. (Futurama, perhaps, ending with one of the best episodes of the entire series, but it’s being revived right now, so I’ll wait and see.) Series that, quite simply put, had much more to say. Series that quite often also expected something from the viewer, that made demands – for instance, that you tuned in every week. You can’t really tell a good, sustained story if viewers may look in once a month, at best.
To be honest, I can only think of a handful of series that managed to end when they should have. Six Feet Under is a candidate. M*A*S*H, perhaps, although the jury’s out on whether the series maintained its quality, got better, or simply got smug and self-righteous. Most people loved “Goodbye, Farewell and Amen”, but there are some who hated it with a vengeance for being Alan Alda’s soapbox.
I guess that, given the choice, most fans would prefer more material of their favourite series even at the price of diminishing quality. But it is frustrating to see them putting out yet another cop series or medical soap but at the same time not allowing more complex, more ambitious – and, admittedly, less audience-friendly – material the breathing space it needs.