The Rear-View Mirror: Amadeus (1984)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

It is a riveting scene, and one that at a glance would seem entirely uncinematic: the younger man, sick, pale and sweaty, lies in bed and dictates music to the older man, who scribbles musical notes onto paper as if it was a race against time – which it is. The brilliant composer will not live much longer. It is a scene that doesn’t seem to need the big screen: it could just as well be performed on stage, and this is in fact where it originated. None of this seems immediately cinematic – yet it is one of the great moments of 1980s cinema: Mozart and and his bitter, envious rival Salieri racing against death to get his final masterpiece, the Requiem in D minor, K. 626, out of the dying man’s head and onto paper so it would be preserved for posterity.

Amadeus

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