Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
Richard Lester’s Juggernaut (1974) was probably the first Richard Harris film I ever saw. It’s very likely it was also the first time I ever saw a film starring Omar Sharif, Anthony Hopkins, Ian Holm or Freddie Jones. It’s most definitely the first time I encountered that time-honoured trope where a bomb exposal expert faces two differently coloured wires and has to decide which one to cut: one will defuse the bomb, the other will mean death, for him and for everyone else in the building, on the plane or (in this case) aboard the ship.
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
Let’s start with the humanoid killer shark in the room: the big-screen DC movies haven’t always been all that much fun to watch, so it was quite a pleasant surprise for Matt to find out that The Suicide Squad succeeds at being just that. Who needs mopey Bats and grimdark Supes when you can hang out with Harley Quinn & Co?
“There, I gave you the stuff about Harry Potter”, Richard Harris pointedly remarks to his interviewer at the Toronto Film Festival in September 2001, just before the world would change. “But try to use the rest of what I said as well. Because, you see, I don’t just want to be remembered for being in those bloody films, and I’m afraid that’s what’s going to happen to me.”