I don’t know if I like it, but it sure sounds dramatic: music and The Crown

C’est le ton qui fait la musique.
— French saying

For the longest time, I avoided Netflix’s The Crown, even though I’d mostly heard good things. I knew that they had a strong cast and that the creative team had been involved in films and series I’d liked (though not exclusively – I enjoyed Peter Morgan’s work on, say, The Damned United, but I was decidedly less keen on Bohemian Rhapsody, even if he was responsible for the story rather than the script). My main problem was this: my interest in the Royal Family is, let’s say, minuscule, and I’m no big fan of the British monarchy and the culture it’s a part of. There’s simply not much appeal there for me, especially if part of the attraction seems to lie in enjoying the aesthetics and the iconography, the sheer nobility of it all.

Then this little pandemic happened, my wife and me started spending much more time at home, and there are only so many good HBO series to enjoy, so I guess we started watching The Crown. Personally, I blame Olivia Colman. How could I not be more interested, knowing that she’d be in it before long?

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