Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!
Daphne du Maurier’s novel My Cousin Rachel, published in 1951, seems to exist in the spot where the universes of Jane Austen and Agatha Christie touch. On the one hand, the tone of the book is well-mannered, and its characters are not allowed to flat-out say what they passionately would like to say, but have to hide behind the mores of the era. On the other hand, someone dies, and another character is in danger to meet the same fate, so whodunnit? Continue reading
It had to happen eventually, but still… for the first time in months, the top post in this blog isn’t the one about Crockett and Tubbs. What will I attract readers with now? According to the search terms used most often to get here, Hellboy’s become more of a pull. Sorry, Colin Farrell – some big red dude with filed-off horns gets the virtual punters in the seats these days!
We’ve now finished Jackie Brown (this blogger here is getting old – halfway through JB I realised that it was way past my bedtime… and that before midnight!), and it definitely more than holds up. The care Tarantino takes with his characters is wonderful, and not a little surprising: I’m more used to Tarantino caring about his lines and close-ups of feet than about characters.
More than anything, Jackie Brown is the most (perhaps even the only) mature film Tarantino has made. Now, his appeal doesn’t necessarily lie in his maturity – in fact, his adolescent hyperactivity is part of his appeal – but it’s beautiful to see his talent put to the service of a story that is not just a fun ride. In our youth-obsessed pop culture, it’s rare to see such a perfectly executed, entertaining film that is essentially about getting old but that takes its older characters seriously.
P.S. for all the Hitchcock fans out there: Vanity Fair has done a photo shoot of iconic Hitchcock scenes with today’s actors. People might ask what the point is – I don’t. I think the photos are eminently cool. The lighting, the painterly, expressionistic colours, the actors chosen… it’s perfect. Check all of ’em out here.