A Damn Fine Espresso: January 2026

In our main podcast for the month, we celebrated our one-hundredth episode with Matt, Julie and original co-podcaster Mege, talking about the beginnings of A Damn Fine Cup of Culture. For this month’s espresso episode, we’re continuing the story: Matt, Alan and Sam met up in real life to record their first ever live podcast episode together. Join the three of them in their conversation about 2020, the year they joined A Damn Fine Cup of Culture, and their experiences since. How have they changed as podcasters? How do they keep things fresh and interesting, even after five years of podcasting? What are the episodes they remember best? And what are the topics they hope to do an episode about in the next five years?

P.S.: A big shout-out to the wonderful REX cinema in Bern, Switzerland for letting us meet up at their bar in early January (you can hear the gentle noise of other cinemagoers, glasses and espresso cups in the background) to record our conversation!

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A Damn Fine Espresso: December 2025

We weren’t originally going to do an espresso podcast in December, but then the timing and theme of our main episode for the month almost made it obligatory for us to replan: since our recent episode “Ozmosis” only covered Wicked, the first part of the movie adaptation of the hit musical by Stephen Schwartz and Winnie Holzman, and not its 2025 continuation, Wicked: For Good, we are hereby remedying this. Join Matt and Sam as they take a trip to the Emerald City to talk about part 2 of this revisionist take on L. Frank Baum’s classic novel The Wonderful Wizard of Oz. Did they find the film a worthy follow-up to the 2024 hit? Are Cynthia Erivo and Ariana Grande still as effective as Elphaba and Glinda? Do the new songs live up to the best numbers of either part? And just how does The Wizard of Oz fit into Wicked? Follow us down the Yellow Brick Road for this concluding conversation in our final espresso of the year.

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I’ll be in my trailer… watching trailers: Here they come

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Our ongoing chain of associations, Six Damn Fine Degrees, arrives in 1989, with Julie’s entry on the BBC mystery series Campion, starring Peter Davison (who’s also played various kinds of doctors, and Doctors, throughout his career) and Brian Glover (who, among other performances, provided a particularly memorable death scene in Alien 3). And, unexpectedly, there’s even a trailer for it!

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A Damn Fine Cup of Culture Podcast #99: Ozmosis

Arguably, the big event movie of this year’s holiday season is Wicked: For Good, the second part to last year’s hit film Wicked. (Sorry, Avatar fans, but that’s just how it is.) Most people loved the first instalment adapting the stage musical, which in turn adapted Gregory Maguire’s 1995 revisionist take on L. Frank Baum’s 1900 novel The Wizard of Oz and especially its iconic 1939 reincarnation as iconic Technicolor musical fantasy.

At the time this podcast was recorded, Wicked: For Good was just about to be released, prompting Sam, Alan and Julie to talk about the 2024 blockbuster and to revisit the Judy Garland classic. How does The Wizard of Oz stand up, and what does our trio think of the first Wicked film?

P.S.: Since we can do what Hollywood does as well, it is just about possible that we’ve split our discussion of Wicked into two separate podcasts. Watch out for the forthcoming December espresso, for good or for bad!

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A Damn Fine Espresso: July 2025

Our Lost Summer started with an episode in honour of David Lynch, the artist and director who’s been an inspiration to us here at A Damn Fine Cup of Culture. After last month’s espresso episode, in which Sam and Matt talked about the extended deleted scenes that were released for Lynch’s Blue Velvet and Twin Peaks: Fire Walk With Me, we’re now continuing our tribute to the man with a stealth Second Chances episode: Alan, a big fan of Lynch, has nonetheless bounced off the director’s Wild at Heart (1990), while Sam has been a fan from the beginning, so the two of them have revisited the film. Has time changed Alan’s assessment? Have Nicolas Cage, Laura Dern and a fantastic supporting cast ranging from Diane Ladd and Willem Dafoe to Harry Dean Stanton and a bunch of familiar faces from Twin Peaks, WA won him over – or, indeed, Sam’s enthusiasm for this pulpy pop thriller that nods more than just once or twice in the direction of camp classic The Wizard of Oz?

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A Damn Fine Cup of Culture Podcast Christmas Special 2023

As the sheer Ho-ho-honess of the season descends on us, here’s a little something for under your tree: our 2023 Christmas Special. This year we’re taking the opportunity to put a Damn Fine fingerprint on the media meme of the year: Barbenheimer. Join us – Julie, Sam, Alan and Matt, but also Damn Fine O.G. Mege and favourite frequent guest Dan Thron of Martini Giant (who took some time this autumn to talk all things Exorcist with us) – as we come up with double bills and mash-ups of wildly divergent and strangely complementary movies, taking our listeners from Paddiface and The Wizard of Chess via a very special Boris Karloff two-header and Wonkas of the Flower Moon to The Sound of Eagles and Under the Hours. (FYI, most of these are working titles that we’ll have to workshop before the final product is pushed out the door, or so Marketing tells us.) So, in the spirit of plastic dolls come to life and Cillian Murphy’s piercing eyes, of learning to start worrying and hate the bomb and of being Just Ken, we at A Damn Fine Cup of Culture wish all of our listeners happy holidays filled with good films, series, books, games and music!

P.S.: For more on Baby Face and Killers of the Flower Moon, make sure to check out these episodes:

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I’ll be in my trailer… watching trailers: Kingdoms, bears and broken mirrors

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Matt is almost done with his extended trip through Ingmar Bergman’s films, and before the final double-whammy of Fanny and Alexander in its TV and cinematic versions, he watched Autumn Sonata – undoubtedly a good, well-acted film, but not necessarily one that brings anything new to the director’s oeuvre… other than a certain iconic actress with a very familiar surname.

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I’ll be in my trailer… watching trailers: Slippers and Rita and nuns, oh my!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

It’s amazing how time flies during a pandemic, sometimes leaving little time for blog posts other than the bare minimum… On Friday, Matt wrote a blog post about his discomfort with camp (the style, that is, not the thing where as a kid or teenager you go away for a week in the woods, only to get killed by a hockey mask-wearing maniac). Though these days Matt is much more comfortable with camp of any sort – and you can’t start a post with a picture of Dorothy’s ruby slippers and not follow up!

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Six Damn Fine Degrees #27: Fear of a Camp Planet

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Camp, adj. - Ostentatiously and extravagantly effeminate (typically used of a man or his manner); ... deliberately exaggerated and theatrical in style. (Definitions from Oxford Languages)

For the longest time, I would shy away from a lot of media that I associated with camp. From what little I could see, I thought it was tacky, in poor taste and attention-grabbing: “Look at me! I’m in your face! I’m different – and I’m unafraid to be different!”

I’m still not automatically a fan of things that I consider ostentatious and in-your-face, and I guess there is a lot of camp that leaves me non-plussed. But that’s true for a lot of art – and it’s not necessarily a bad thing. If I’m entirely honest: looking back, I wonder how much of my negative reaction to it was that, as little as I like to acknowledge it, young Matt was a teensy bit of a homophobe.

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