Matt – Page 9 – A Damn Fine Cup of Culture

Criterion Corner: Something Wild (#563)

Mar 8, 2025Mar 16, 2025Matt1 Comment

Stop me if you’ve heard this one before: a conventional yuppie who, if you look at him from the right angle, reveals a streak of disaffection with his life bumps into a free-spirited young woman. She introduces him to the wild side of life, and they embark on a whirlwind romance. All together now: can you say “Manic Pixie Dream Girl”?

If you rolled your eyes at this, rest assured: that was pretty much my first reaction to Jonathan Demme’s Something Wild – so much so that after about half an hour I ejected the Blu-ray and watched something else instead. For those first 20-30 minutes, I felt more and more that I really didn’t need yet another take on that particular well-worn cliché. Charlie Driggs (Jeff Daniels) and Lulu (Melanie Griffith), as she calls herself to begin with, weren’t endearing to me: I found them and their idea of what breaking free from convention looked like grating. It’s one thing to watch teenagers who believe they’re the first ever to break free from the bonds of social mores; it’s quite another to watch two supposedly grown-up people behaving like those teenagers. There’s something to it that is smug and self-satisfied and, frankly, a bit boring.

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Six Damn Fine Degrees #224: When I was a child, I watched as a child

Mar 7, 2025Mar 14, 2025Matt3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I wonder: there must be researchers that analyse the children’s TV programmes that people grow up with, across generations and countries. If so, what does their research say about the shows I grew up with, in 1980s Switzerland?

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Forever Fellini: Fellini’s Casanova (1976)

Feb 22, 2025Feb 22, 2025Matt2 Comments

Giacomo Casanova: a man of many talents (allegedly). Check out his Wikipedia entry – which he would have probably loved doing! – and you’ll find that he “was, by vocation and avocation, a lawyer, clergyman, military officer, violinist, con man, pimp, gourmand, dancer, businessman, diplomat, spy, politician, medic, mathematician, social philosopher, cabalist, playwright, and writer”. (Wikipedia’s “citation needed” never seemed more apt.)

Yet, ask anyone what they know about Casanova, and they’ll tell you one thing: he was the lady’s man, a playboy extraordinaire, a big hit between the sheets. No one remembers the diplomacy, the philosophy, the writing. He might as well have been little more than a walking phallus, a sex toy with aristocratic aspirations.

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Criterion Corner: The Elephant Man (#1051)

Feb 8, 2025Feb 7, 2025Matt1 Comment

Was The Elephant Man (1980), David Lynch’s follow-up to his first feature Eraserhead, my first Lynch? I’m not sure: it’s possible that I saw Twin Peaks first, at least the first half or so of the series, in a German dub, or perhaps I caught Blue Velvet on television late one night. It is even possible that I watched Eraserhead first and am repressing that traumatic memory. But The Elephant Man is often brought up as a good way to get started on Lynch: it tells a fairly straight-forward story, one that is based (albeit loosely) on the life of Joseph Merrick, a man suffering from severe deformities who lived in late 19^th century London. You can see what would have drawn Lynch to the material, but the resulting film does not have the expressedly avant-garde edge of Eraserhead or of many of his later works. Aside from The Straight Story, it’s probably the film by Lynch that I would recommend first to people who haven’t seen anything else by him, unless I knew that they were into surrealist art.

But does that make The Elephant Man less Lynch, somehow?

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Six Damn Fine Degrees #220: The meta madness of Duck Amuck

Feb 7, 2025Feb 15, 2025Matt3 Comments

At some point when I was in my early teenage years, I found myself with a video tape of classic Merrie Melodies and Looney Tunes cartoons, which we’d got from an uncle or from some friends. In the end it doesn’t matter, because what mattered was the joy the video brought: these were the genuine classics of Warner Bros. animation, the likes of What’s Opera, Doc?, in which Elmer Fudd dresses up as Siegfried and sings “Kill the wabbit!” to the tune of Richard Wagner’s “Ride of the Valkryries”, and Duck Dodgers in the 24½^th Century, the second-funniest piece of filmmaking about Mutually Assured Destruction.

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I’ll be in my trailer… watching trailers: Walk the line

Feb 2, 2025Feb 2, 2025MattLeave a comment

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week, Sam reminisced about the animated line art of his childhood – or, more precisely, he wrote about his memories of the Italian cartoon La Linea, which featured a little man made up of a single line and his ongoing fight against the vicissitudes of life… and the whims of his animator. No trailer this time; instead you’re getting an entire La Linea cartoon (and the accompanying doo-bee-doo 1970s soundtrack), courtesy of YouTube.

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I’ll be in my trailer… watching trailers: The ball goes into the hole

Jan 26, 2025Jan 26, 2025MattLeave a comment

This week, Alan contributed to our ongoing Six Damn Fine Degrees series with his look back at accidentally discovering the ’90s Italian comedy Volere Volare. Sadly, it’s as difficult to find a trailer for the film as it is to find the film itself, so here’s a short sequence (in Italian) that’s a nice illustration of how Volere Volare blends live-action film and animation.

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They create worlds: Walkabout Mini Golf

Jan 25, 2025Jan 25, 2025Matt2 Comments

One of the things that video games can do magnificently is create worlds. These posts are an occasional exploration of games that I love because of where they take me.

When I started getting into Virtual Reality with the release of the first consumer-grade Oculus Rift in 2016, the kind of games I was expecting I’d eventually play in VR were ones where I’d sit in the cockpit of a spaceship, plane or racing car, or where I’d run around exploring mysteries and fighting or evading enemies. I expected games that were pretty much like what I’d been playing on PC for decades, just more immersive, more focused on the experience of being there, in the virtual world.

What I didn’t expect: that some of my favourite VR experiences by far would be hanging out with friends and trying to get a small ball to go in a smaller hole.

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I’ll be in my trailer… watching trailers: Fix your hearts or die

Jan 19, 2025Jan 19, 2025MattLeave a comment

Somehow, losing David Lynch hits harder, not only because of his art, which is often beautiful and disturbing in equal measure, but also because of who Lynch seems to have been: a kind, strange, generous soul, as an artist and as a human being. As anyone looking at our front page and at the name of our site will be able to tell: Lynch had an impact on us, and his absence will be felt.

We’ll dedicate most of this week’s trailer post to the weird, frightening, wonderful worlds of David Lynch, but first, let’s have a look at what we did this week.

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Forever Fellini: Amarcord (1973)

Jan 11, 2025Jan 10, 2025Matt2 Comments

It seems that Fellini’s Amarcord, a semi-autobiographical film inspired by the director’s childhood in and around Rimini, is a tremendously easy film to like. Critic Vincent Canby called it “Fellini’s most marvelous film” and “extravagantly funny”, while Roger Ebert described it as “a movie made entirely out of nostalgia and joy”.

Me, though? More than halfway into Amarcord, I would have said that I’m not a fan at all. I didn’t find it funny or joyous. One of the tropes I’m more than a little tired of is: boys will be boys – and as a result I would’ve gladly thrown all of these guys below under a car.