Six Damn Fine Degrees #278: The Sleepwalkers

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Like Alan, I read a lot of histories. Well. Narrative histories. Unlike Alan, who seems to have a theme and some actual focus to his reading, I’m an inveterate magpie and will flit from medieval England (Helen Castor’s books The Eagle and the Hart and She Wolves, are particular favourites), to a biography of J. Edgar Hoover (G-Man, Beverly Gage won a Pulitzer for that one), to the magnificent Höhenrausch by Harald Jähner (evoking, unforgettably, the interbellum in Germany), and many more. No obligation for me to go through a formal curriculum and do things like put in the actual, systematic, scholarly work. There are fantastic, conscientious writers who have done it all for me, and whose books I will happily, and gratefully, devour.

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Six Damn Fine Degrees #277: The Gates Of Europe… and other Origin Stories

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

What are the origins of modern nations? Where does national identity come from, and how has it been shaped to fit modern political structures? Going by a lot of the recent books I have read, this definitely seems to be a subject I’m interested in right now.

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Six Damn Fine Degrees #276: I read, therefore I am

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Did you know? Your reading diet casts quite an accurate picture of who you are. Or, more precisely, of those aspects of yourself that you’re focusing on, perhaps even obsessing about. You do know it. Of course.

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I’ll be in my trailer… watching trailers: The Hole Truth

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Last week was the end of February, which means that Wednesday was Shortcuts day, featuring quick takes by the gang about what they’ve been watching, reading and listening to recently.

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Six Damn Fine Degrees #275: Two visions of one city

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

As a teenager, I read a lot of genre fiction – but, perhaps more importantly, I read a lot of bad genre fiction. Not only: I loved the likes of Lord of the Rings or the iconic novels of Arthur C. Clarke (mind you, his prose wasn’t always brilliant and his characters often paper-thin, but the ideas were fascinating), but I’d read whatever I could find at the library that had spaceships and aliens, or dungeons and dragons. I think that, even at the time, I was aware that much of what I read in the realms of fantasy and sci-fi was generic and derivative at best, pulp designed to be mass-produced and sold to kids like me who wanted their reading matter to transport them to other worlds. But, hey, those books did transport me to other worlds, even if those worlds seemed a lot like Middle-Earth or a galaxy far, far away, just with the serial numbers scratched off.

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The Five Stages of Backlog Anxiety

There was a point in my mid-40s where I realised: I have so many games purchased on Steam, I will not live to play all of them, at least not unless I start going through them one by one… and not unless I stop buying a single additional game.

And, looking at my collection of films on physical media? The same may be true. I have a bit more of a fighting chance: my library of games on Steam is in part so large because once a game I’m even just mildly interested in is on sale for US$10 or less, I tend to buy it. Films still cost more, especially those highly addictive Criterion releases I can’t seem to do without. Still: I buy films at a higher rate than I watch the films I’ve bought. The same is definitely true for books.

And, frankly: when I realised the extent to which my backlog would survive me? I felt an unsettling sense of vertigo. (And, embarrassingly, I briefly hoped that by the time I’m old, there’d be a way to upload my consciousness into the cloud, where I would then spend eternity working off my backlog.)

This is fine.
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Six Damn Fine Degrees #269: Heartstopper!

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

When Nick and Charlie touch, little squiggly cartoon flashes of electricity appear around them and you can literally feel the sparkles going off between them in the air. What seems just like an original reference to its graphic novel source material, Alice Oseman‘s Heartstopper series, proves to be symbolic for the runaway success this Netflix show has enjoyed far beyond the queer community: its truly feel-good approach is heartstoppingly essential for the present moment.

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Six Damn Fine Degrees #266: The ITV Ghost Story For Christmas

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

During the 1970s, the BBC were to make an annual ghost story to be broadcast over the Christmas period. Under the auspices of producer Laurence Gordon Clark, they delivered a festive dose of chills memorable enough that they have since acquired quite a cult following. These BBC ghost stories for Christmas are all excellent stand-alone dramas, brilliantly delivering a creepy, unsettling tale for the Yuletide audience.

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Six Damn Fine Degrees #265: Poisoned pages

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

If you had asked me in the early aughts about my favourite writers, it’s very likely that Neil Gaiman would have been one of the names I mentioned. Like many I know, I first encountered him via Terry Pratchett, when I read Good Omens (1990), co-written by Pratchett and Gaiman, and fell in love with it. Next came the short story collection Smoke and Mirrors (1998), with its tales that ranged from urban fantasy and horror to stranger, more meta fare, and shortly after, I got into The Sandman (1989-1996), arguably Gaiman’s magnum opus in a big way. Once I’d made my way through the ten volumes of that series, there was a phase during which I bought almost everything Gaiman wrote. (Ironically, not his anthology comic Endless Nights, which is what furnishes this post with its link to last week’s Six Damn Fine Degrees.) I recommended him to friends, even to some of my teachers at university. After I graduated and started teaching at Uni myself, I did an introductory course on comics, and one of the texts I had my students read was issue 19 of The Sandman, “A Midsummer Night’s Dream”. Yes, I was that kind of fan.

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