For the June episode, join your cultural baristas as they discuss The Lives of Others (2006), the Academy Award-winning drama about East Germany in the 1980s, Stasi surveillance, the redemptive power of art and its tragic limitations. When not listening in to the artist couple in the apartment on the floor below, we also talk about Amazon Prime’s adaptation of the near-apocalypse, Good Omens, Béla Tarr equine mood piece The Turin Horse and Richard Powers’ 2003 novel The Time of Our Singing.
P.S.: In keeping with the thwarted surveillance motif, Matt’s recording equipment wasn’t quite up to the task this month. We apologise for any problems with the audio quality and promise to do better in July.
I came to comics fairly late. Of course I read the odd Asterix, Tintin and Disney comicbook when I was a kid, but I never really read those adolescent fantasies with guys in tights and big-breasted caped beauties fighting dastardly villains when not moping about their lovelives.
When I was 26, I went to Glasgow for a few months. Being a literature nerd, one of my favourite pastimes was to go to Waterstone’s (or, on my most nerdy days, Forbidden Planet), grab a book or five, sit down on one of the couches and read. That’s when I came across Neil Gaiman’s Sandman. I’d heard of it before, and I’d read Gaiman’s Smoke & Mirrors and Good Omens, the novel he’d written with Terry Pratchett. I’d always wanted to check out Sandman, but since I wasn’t into comics… I didn’t. Until Glasgow.
And there, within the space of one or two days, I got hooked on Gaiman’s mythopoetic world. (Yes, I’ve always wanted to use the word “mythopoetic”. Now I have. Life suddenly feels empty.) And I started to think, “Hmm. Maybe there’s something about them there comics after all.”
Shortly after I started looking for other comic book authors of similar renown as Gaiman. Names like Mike Mignola came up, or Daniel Clowes, or (of course) Will Eisner. But the name that came up most insistently was Alan Moore. And the titles that were mentioned were Swamp Thing, From Hell, V for Vendetta and Watchmen. So I got started on From Hell, not knowing what to expect – and got hooked. Yup, the book grabbed me pretty much like a sharp hook to my belly, pulling my insides out. But metaphorically. And in a good way.
Ahem. Anyway, after reading V for Vendetta and then Watchmen (rather unsettling, as I read it just after 9/11), I knew that Moore was my kind of writer.
Next: Top 10, Promethea… and the League.
P.S.: Here’s a little bonus, at no additional charge, for the Neil Gaiman fans among you: