Six Damn Fine Degrees #275: Two visions of one city

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

As a teenager, I read a lot of genre fiction – but, perhaps more importantly, I read a lot of bad genre fiction. Not only: I loved the likes of Lord of the Rings or the iconic novels of Arthur C. Clarke (mind you, his prose wasn’t always brilliant and his characters often paper-thin, but the ideas were fascinating), but I’d read whatever I could find at the library that had spaceships and aliens, or dungeons and dragons. I think that, even at the time, I was aware that much of what I read in the realms of fantasy and sci-fi was generic and derivative at best, pulp designed to be mass-produced and sold to kids like me who wanted their reading matter to transport them to other worlds. But, hey, those books did transport me to other worlds, even if those worlds seemed a lot like Middle-Earth or a galaxy far, far away, just with the serial numbers scratched off.

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The Five Stages of Backlog Anxiety

There was a point in my mid-40s where I realised: I have so many games purchased on Steam, I will not live to play all of them, at least not unless I start going through them one by one… and not unless I stop buying a single additional game.

And, looking at my collection of films on physical media? The same may be true. I have a bit more of a fighting chance: my library of games on Steam is in part so large because once a game I’m even just mildly interested in is on sale for US$10 or less, I tend to buy it. Films still cost more, especially those highly addictive Criterion releases I can’t seem to do without. Still: I buy films at a higher rate than I watch the films I’ve bought. The same is definitely true for books.

And, frankly: when I realised the extent to which my backlog would survive me? I felt an unsettling sense of vertigo. (And, embarrassingly, I briefly hoped that by the time I’m old, there’d be a way to upload my consciousness into the cloud, where I would then spend eternity working off my backlog.)

This is fine.
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Six Damn Fine Degrees #269: Heartstopper!

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

When Nick and Charlie touch, little squiggly cartoon flashes of electricity appear around them and you can literally feel the sparkles going off between them in the air. What seems just like an original reference to its graphic novel source material, Alice Oseman‘s Heartstopper series, proves to be symbolic for the runaway success this Netflix show has enjoyed far beyond the queer community: its truly feel-good approach is heartstoppingly essential for the present moment.

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Six Damn Fine Degrees #266: The ITV Ghost Story For Christmas

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

During the 1970s, the BBC were to make an annual ghost story to be broadcast over the Christmas period. Under the auspices of producer Laurence Gordon Clark, they delivered a festive dose of chills memorable enough that they have since acquired quite a cult following. These BBC ghost stories for Christmas are all excellent stand-alone dramas, brilliantly delivering a creepy, unsettling tale for the Yuletide audience.

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Six Damn Fine Degrees #265: Poisoned pages

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

If you had asked me in the early aughts about my favourite writers, it’s very likely that Neil Gaiman would have been one of the names I mentioned. Like many I know, I first encountered him via Terry Pratchett, when I read Good Omens (1990), co-written by Pratchett and Gaiman, and fell in love with it. Next came the short story collection Smoke and Mirrors (1998), with its tales that ranged from urban fantasy and horror to stranger, more meta fare, and shortly after, I got into The Sandman (1989-1996), arguably Gaiman’s magnum opus in a big way. Once I’d made my way through the ten volumes of that series, there was a phase during which I bought almost everything Gaiman wrote. (Ironically, not his anthology comic Endless Nights, which is what furnishes this post with its link to last week’s Six Damn Fine Degrees.) I recommended him to friends, even to some of my teachers at university. After I graduated and started teaching at Uni myself, I did an introductory course on comics, and one of the texts I had my students read was issue 19 of The Sandman, “A Midsummer Night’s Dream”. Yes, I was that kind of fan.

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Six Damn Fine Degrees #258: Halloween Trio

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

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Six Damn Fine Degrees #257: The eye of man hath not heard, the ear of man hath not seen

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I used to get a bit miffed whenever I heard people say that films, and especially film adaptations, stunt people’s imagination. The argument went: if you read a book, you imagine what people look and sound like, but then you watch the movie of the book and your imagination gets fixed: Alan Grant looks like Sam Neill, Annie Wilkes is the spitting image of Kathy Bates, Michael Corleone could easily be mistaken for a young Al Pacino. No more freedom of the imagination, no more imagination: you read the lines, and you see and hear the actor who made the role famous on the big screen.

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Six Damn Fine Degrees #256: The BBC Radio Lord Of The Rings Part Two: The Two Adaptors

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

A dark and stirring refrain swells up from the silence, musically suggesting something both epic and haunted. And then a brilliant voice is heard saying the following:

“Long Years Ago, in the Second Age of Middle Earth, the Elven smiths of Eregion forged Rings of Great Power...”

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Six Damn Fine Degrees #254: Fanfic? Me?

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Fans can be the worst – and the best. On the one hand, fans can be gatekeepers, they can be reactionary and bring out the worst in a franchise. On the other, fans can be welcoming and giving and creative. Last week, Melanie wrote about the joy to be found in fan translations. This week, I’m asking you to indulge me in a trip down Memory Lane, to my own experiences writing fanfic.

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