Six Damn Fine Degrees #144: Barbie

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I was wrong about Barbie. I should have been right. First off, it was Great Gerwig directing it, also writing the screenplay together with Noah Baumbach, which should have been the first sign that things would not be all pink plastic and brainless banter. And I don’t think Margot Robbie has the heart to say yes to any even mediocre project. I am still not entirely sold on Ryan Gosling, but Robbie is so very good in I, Tonya that she cannot do much wrong anymore in my book.

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Six Damn Fine Degrees #143: How “Wednesday” puts the extra ‘d’ in Addams Family

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

It might somewhat seem like a bit of a short stretch from Alan’s previous piece on the long-term writing of author Douglas Adams, but here’s a chance to gush about a Netflix series that puts more than that extra ‘d’ into the famous family name: Wednesday, released late last year, puts the Addams Family daughter front and center of eight episodes and gives fresh blood to a cultural phenomenon that started over eighty years ago.

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Six Damn Fine Degrees #142: Douglas Adams’ “Last Chance To See”

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

The early ’80s were a great time as a kid to discover Douglas Adam’s Hitchhikers Guide To The Galaxy. I saw the BBC TV series first, then I caught the BBC Radio series – recording each episode onto cassette for future enjoyment. And then I discovered the books. I devoured the first novel: it was like the adaptations but with more jokes. Same with the sequel The Restaurant At The End Of The Universe, which was possibly one of the first “proper” books I read in a single day. Life, The Universe and Everything felt a little different, even threatening at times to tell an actual story. But still enough lunacy to keep me happy.

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Six Damn Fine Degrees #141: The Hitchhiker’s Guide to reading in other languages

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Here’s a puzzle for you: who has two thumbs, an English mother, but his mother tongue is German? This guy!

Okay, okay, that was not very good, even worse than the usual “two thumbs” jokes – but it’s true. My dad was German, my mother English, I was born and raised in the Swiss German-speaking part of Switzerland, and the language I learnt first was German, not from my dad (who, like most fathers of his generation, was much less present) but from my mother. She did try to teach my sister and me English, but… well. Let’s say she was partly successful: we learnt how to understand English, but when we were small we’d always answer in German. Once we did start learning English in earnest, it was admittedly easier for us, but even though I talk and write English much more than any other language these days, I would not call myself a proper native speaker. Half-native, maybe, which sounds like a weird term from 19th century literature; Kipling, maybe, or Joseph Conrad.

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Six Damn Fine Degrees #140: Men in Black (1997)

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

We’re not hosting an intergalactic kegger down here! ~Zed

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Six Damn Fine Degrees #139: The key to doomsday cinema

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

As our last two posts cleverly pointed out, movies dealing with the end of the world are almost as old as cinema itself. Yet, combined with times of crises, war and disorientation such as the present day seems to be, the genre has always been even more fruitful and frightening.

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Six Damn Fine Degrees #138: Last Night (1998)

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

The end of the world is fertile ground for moviemakers. From the thrills of endless zombie attacks to the bleak landscape of John Hillcoat’s adaptation of Cormac McCarthy’s The Road, the big screen has embraced stories where the end could not be more final.

One of my favourite films in this genre though is one of the most low-key, but also one of the most final. This isn’t a story where there’s a glimmer of hope we’ll survive, but its also one without monsters, spectacular cataclysms or even a depressing insight into the worst of humanity.

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Six Damn Fine Degrees #137: Cormac McCarthy

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

The high-priest of bloodshed and violence has died. While that sounds like a blood-curdling read, it comes in one of the most beautiful languages that literature has to offer. “He slept and when he woke he’d dreamt of the dead standing about in their bones and the dark sockets of their eyes that were indeed without speculation bottomed in the void wherein lay a terrible intelligence common to all but of which none would speak.” That is from his novel All The Pretty Horses (1992), and to me, it’s impossible not to be attracted and repulsed by that image at the same time.

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Six Damn Fine Degrees #136: Some like it cult

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

The classic series The Avengers has frequently popped up on my radar, and it’s usually mentioned in positive terms. And yet, I’ve never bothered to seek it out. Too much to watch already, too many things that come first on my TV bucket list – and that’s before I even get into the favourites I’d like to revisit – if the streaming services of my choice haven’t taken them off their catalogue and erased out of existence, that is. Same with, say, Miami Vice, or Absolutely Fabulous or (don’t tell Alan) Randall and Hopkins (Deceased). And, to be honest, one main reason is that people talked about them with a great sense of reverence – or they don’t talk about them at all. They’re cult TV – and that’s something that tends to make me hesitate.

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Six Damn Fine Degrees #135: Amazing Avengers Associations

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Everything is connected: Just think of Emma Peel, Tracy Bond and Olena Tyrell, all played by Diana Rigg!

Reading Alan’s insightful observations about the Dark Phoenix saga from last week and his reference to British cult series The Avengers (1961-69; renewed in 1976/77, The Movie in 1999), I was reminded what these Six Degrees posts are really all about: connecting everything in the world of film, music and culture to everything else. And there is hardly another series that represents that principle of six degrees removed as well as The Avengers!

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