Six Damn Fine Degrees

Six Damn Fine Degrees #91: The Hitchcock That Wasn’t There

samlinder2 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

The sausage that was too much: Just like this moment from Torn Curtain (1966), many fascinating Hitchcock ideas, scenes and projects were cut.

I must admit I have not (yet) become as much of a connoisseur of the Coen Brothers’ oeuvre as Matt has revealed himself to be in last week’s insightful post on a number of standout scenes from their lesser-liked films. However, I immediately thought of directors I know somewhat better, particularly how Hitchcock’s over fifty feature films would lend themselves to a ranking of standout scenes of even his less-appreciated films. Beyond obvious scenes in showers, on top of towers and gazing out rear windows, one could probably run a blog or a series of podcasts just on the one standout scene from every one of his movies. After all, Hitchcock was particularly masterful at making scenes, even single objects stand out and in creating masterful compositions, but also making them so memorable as unique scenes that work outside of the film itself.

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Six Damn Fine Degrees #90: The scene’s the thing

Matt3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Will the Coen Brothers ever make another film together? Or will Netflix’ The Ballad of Buster Scruggs remain their last collaboration? Obviously it’s rather ungrateful to look at a filmography that includes greats such as Fargo, Barton Fink and No Country for Old Men and whine that there won’t be any more – but at the same time, is there anyone else who makes films that compare with their genre-busting and their often oddball tone? (The closest I’ve come to considering anything Coenesque is probably the British true crime black comedy-drama – which is what Wikipedia calls it, and anything shorter couldn’t begin to do it justice – Landscapers, which we talked about in one of our podcasts.)

Then again, besides their most recognised films, there are a number of movies by the Coen Brothers that didn’t receive the same praise. Some of them were downright disliked when they came out, sometimes more justifiably so (The Ladykillers), sometimes less (The Hudsucker Proxy). One Coen film that I’ve always felt deserved more attention than it got is The Man Who Wasn’t There, a film noir pastiche starring Billy Bob Thornton and Frances McDormand that in many ways exemplifies the particular tone that the Coens excel at: somewhere between parody and homage, with a sprinkle of something decidedly stranger. I mean, which film noir classic ever included a subplot that concerns dry cleaning, or a scene featuring a UFO?

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Six Damn Fine Degrees #89: Fred & Ginger in Carefree

Alan Kuhl Graham3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

They don’t make ’em like they used to. It’s a familiar refrain when people talk about old movies, to the point of being a cliche. Frequently it’s trotted out by rose-tinted nostalgics who want to decry that modern films aren’t as good as they were in their day. But it can also apply when you watch a film from yesterday that has a plot that, for strikingly obvious reasons, you couldn’t – and definitely shouldn’t – tell now.

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Six Damn Fine Degrees #88: Harry Potter and “O Children”

Matt3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

This should come with a lot of caveats, but the Fantastic Beasts films have given me a new, albeit partial appreciation of the Harry Potter films. Remember those? Orphan discovers he’s a wizard, goes to a wizarding school, makes friends with some kids, is bullied by others, and all the while this noseless evil wizard threatens the world. For some reason the whole thing, starting with the books and definitely not ending with the films, was a huge success – so You Know Who started a massive media franchise and shared fictional universe, and they roped in the likes of Eddie Redmayne, Katherine Waterston, Jude Law and Colin Farrell – no, Johnny Depp – no, actually it’s Mads Mikkelsen – to make more of these films and make more money. Sadly, while I found the first of the Fantastic Beasts messy but surprisingly charming, the sequels that have since come out have made it blatantly obvious that whatever magic they lucked on with the original novels and their movie adaptations, this new series would need a lot more wizardry, dark or light, to be successful. Both The Crimes of Grindelwald and The Secrets of Dumbledore suffered massively from plots that were both overly complicated and utterly irrelevant. Momentous things happen, only to turn out that, really, they didn’t matter at all.

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Six Damn Fine Degrees #86: Grace Jones, I’ve Seen That Face Before

Mege3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I was in Florence some years ago, it was a one-week holiday, and it should have gone on longer, because I grew to like the city a whole lot. For instance, in the Nelson bookstore, you could take any book you wanted from their shelves and into their coffee shop and read it or leaf through it. The downside was that some of their books no longer looked pristine. The downside includes that the shop does not seem to exist any longer – at least I was unable to find it, and I seem to remember that it was at one side of a huge square.

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Six Damn Fine Degrees #85: Give My Regards To Broad Street

Alan Kuhl Graham2 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

When I was young I bought my pop music on Cassette. If you made a bit of money on your birthday you could head to the shops and buy yourself an album. (If you’d really cleaned up with the relatives you could get two.) The only vinyl player we had in the house was very much off-limits to the children, mainly the domain of curious spoken word affairs that the grown-ups found funny. Although they had covers that tended to give me nightmares.

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Six Damn Fine Degrees #84: Why Indy 3 single-handedly ended my gaming career

samlinder3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Matt’s confession in last week’s post about the scores of digital characters killed in his gaming career so far made me wonder about why I had never become a gamer myself. It wasn’t that video and computer games weren’t available in the late ’80s and ’90s (friends of our family were GameBoy addicts, for example) or that our family were somehow technological hermits (my grandfather had introduced us to his AMIGA Commodore by 1987 – game discs included). I also got off to a good start when our parents bought us a brand new computer for Christmas in 1994 and I was able to get my hands on fresh gaming content.

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Six Damn Fine Degrees #83: Talking and killing

Matt3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I made my first kill before the age of 10. By the time I was a teenager, I must have killed hundreds. By the time I reached the age of 20, I expect the number was somewhere in the five-digit range, at least. And I suspect that the same is true for so many people these days, at least in the west – because murder is just a click away.

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Six Damn Fine Degrees #82: Murder

Mege1 Comment

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

It’s an ugly thing to kill someone, and more or less willingly, isn’t it?

There is the sanitized version of murder in countless whodunits, where the rules are clear: someone might be dead by the hand of another, and some clever brain will figure it all out, preferably in a showdown before a chimney fire, holding a long speech that ends in a big revelation. The rules are clear; the culprit, more often than not, is punished by the law, as if this was only slightly more atrocious than any hockey game. And while any sturdily waxed moustaches might have been replaced by squint-eyed scientists, the rules still apply. Miss Marple is never wrong, but science can’t lie.

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