Six Damn Fine Degrees #178: Tell me in your own words

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Synchronization is a tricky little bugger, isn’t it? First off, there is always something that gets lost in translation; many fine points of the original language always go out the window. Take any film in an unknown language: do you opt for the subtitles, or do you press the button that puts foreign words in the mouths of the cast? I mostly go for subtitles, because even if I don’t understand Toshiro Mifune’s precise words, I want to hear his drawls, his mutterings and his shouts. I want to be there when he finally tips over the edge and goes berserk, even if that does not involve much dialogue – either grunts and shouts, or total silence. Him unsheathing his sword is just not enough.

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Six Damn Fine Degrees #176: Rosencrantz and Guildenstern Are Dead

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

~ There are answers to everything. There were answers everywhere you looked…

In Act 2, Scene 2 of Hamlet, two courtiers appear in order to gain the Prince’s confidence and to spy on him. Our “much changed” Prince appears to have gone bonkers, and the two old friends are to find out what afflicts him. The King can barely tell them apart and the Queen steps in to correct him.

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Sight and Sound: Man with a Movie Camera (feat. Roksana Smirnova and Misha Kalinin)

Wikipedia describes Man with a Movie Camera, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman and edited by Vertov’s wife Yelizaveta Svilova, as an “experimental 1929 Soviet silent documentary film”. What kind of images does this conjure in your mind? My knowledge of Soviet art isn’t particularly broad, but it’s biased by what I’ve seen of Soviet propaganda: heroic, productive workers, didactic visuals showing us what the ideal communist world ought to look like. A utopia that, with the benefit of hindsight, often looks phoney, frightening or both.

Whatever I might have expected of Man with a Movie Camera, it’s very different from what the film actually is: an audacious, joyful approach to an art form that, even 36 years after its birth, was still in its infancy in many ways.

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Six Damn Fine Degrees #174: Walking into Game of Thrones in Croatia

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Just like Mege confessed in last week’s post, I also stopped watching Game of Thrones after few seasons, not because I hadn’t initially found it riveting and exciting, but because the rampant sex, violence and surprise deaths had taken away pretty much all the characters I cared for by just the end of season 3 (especially in the infamous ‘Red Wedding’ episodes). My nerve-rattling and character-investing had largely been in vain, and so my friends and I called it quits.

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Six Damn Fine Degrees #167: We likes quizzes

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

There is something intensely likeable about movie quizzes. If you know the answer, you feel really quite smug: Yes, I’ve seen the movie, and I know a whole lot about that film – it was even produced by someone you wouldn’t expect. You get that warm, fuzzy feeling in your stomach because you’ve scored a point, while a lot of the others didn’t, you can tell from their puzzled faces, and you are inching just a tiny bit closer to the top spot. And on the other hand, if you don’t know the answer, you go into instant detective mode: I should know the answer, now how can I deduce that from the other movie that very same director has made just before this one? Hmmm… You rack your brain about a name, and then, with your last ounce of with and memory, you may just come up with the right answer. Most of the time, anyway.

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Six Damn Fine Degrees #163: Fantastic Mr. Fox

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness

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That was the year that was: 2023 (1)

And once again, the year just keels over and ends. At least that’s how it feels: ever since history decided that we can’t complete a single orbit around the sun without some major upheaval or crisis, it’s continued in that vein. Or has it always been that way, and I’ve just been too Euro- or phallo- or whatevercentric to notice that that’s just what history is: one kind of crisis after another?

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Six Damn Fine Degrees #162: The Wonders of Wonka

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Yes, I am of the firm opinion that Die Hard (1988) is a Christmas movie, but enough about that. In Paul King’s Wonka (2023), there is often snow on the cobblestones of the old town renowned for its chocolate. It could be Paris or Charles Dickens’ London, while the shopping arcades reminded me of Milan, but it matters little where the story is set: it’s an olden-time dream world where it’s possible to manufacture magical chocolate if you are ready to go and milk a giraffe at the local zoo.

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Six Damn Fine Degrees #159: The delightful anarchy of Gremlins 2 (1990)

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness

The perfect follow-up to the mixed media delight of Who Framed Roger Rabbit (so lovingly remembered in last week’s piece by Julie) for the pre-Christmas season, in my mind, is clearly the most insane, self-referential sequel of them all!

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Six Damn Fine Degrees #158: Who Framed Roger Rabbit (1988)

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

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