I’ll be in my trailer… watching trailers: Merry Christ(opher Lee)mas!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week, Matt posted his thoughts on the TV series version of Ingmar Bergman’s Fanny and Alexander – but that one featured in a recentish trailer post. Then there was the Christmas Special podcast – but as that one focused on our Summer of Directors, many of the trailers that would fit best already came up in other posts this year.

Which leaves us with Sam’s Six Damn Fine Degrees, a post that oozed (or should that be ‘öözed’?) Metal – so let’s go with that…

17 times Christopher Lee was the spirit of metal | The Independent | The  Independent

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A Damn Fine Cup of Culture Podcast Christmas Special 2022

It’s that time of the year again: join the gang at A Damn Fine Cup of Culture for a festive celebration and a look back at the year. In keeping with our big summer series, the Summer of Directors, we’re thinking back on the five episodes where we talked about Jane Campion, Dario Argento, Ida Lupino, Robert Altman and Martin Scorsese. Featuring contributions from our regulars Sam and Alan as well as this year’s wonderful guests Johannes Binotto, lecturer and video essayist, and Dan Thron of Martini Giant (who’s also had a lot to say about Steven Soderbergh and Denis Villeneuve’s Dune in the past). It’s been quite the year, but we’ve been able to enjoy many a good film, book, series, game, and even a concert or two, and obviously many good conversations about all of these things. We’ll be back soon, with more Damn Fine Cups of Culture – and in the meantime, we wish all of our listeners, and all of our guests, happy holidays!

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Six Damn Fine Degrees #110: A Heavy Metal Christmas with Christopher Lee

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I’m sure we all have it: That odd Christmas album we unearth whenever the Holiday Season comes along, even though we know it’s atrociously kitschy and truly awful by any musical standards. For our family, Roger Whittaker single-handedly put us in a terribly festive mood with his German (!) carols. These days – besides certified classics by Leontyne Price, Joan Baez and Mahalia Jackson – I sneak in the occasional Julio Iglesias or Ivan Rebroff schmaltz onto my turntable.

My Christmas music collection, however, is bound to become a little bigger in the wake of a completely new discovery by one of the actors lending his voice to the Neverwhere audiobook (mentioned in last week’s post by Julie): Sir Christopher Lee’s three incredible Heavy Metal Christmas albums released between 2012 and 2014!

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The Compleat Ingmar #39: Fanny and Alexander (TV series) (1982)

We’re almost at the end of this journey. I’ve now, for the first time, watched the TV version of Ingmar Bergman Fanny and Alexander, and only the film version is left. It’s a fitting time for this, as Fanny and Alexander is always on television in Sweden around Christmas the way that other countries might show Czech fairy tales or Frank Capra’s darkest movie, and it’s easy to see why: it begins with one of the greatest family celebrations ever captured on film, a bourgeois, early 20th century Swedish Christmas. Food, festivities, fart jokes: everything that comes to a cinephile’s mind when they hear the name ‘Ingmar Bergman’.

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I’ll be in my trailer… watching trailers: I’m sorry, Dave, I’m afraid I can’t do that

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Other than David Lynch himself, the person who perhaps left most of a fingerprint on Lynch’s work is the composer Angelo Badalamenti, who died a week ago. Matt shared his thoughts and memories of Badalamenti’s work, in particular on the various incarnations of Twin Peaks (which we’ve written and podcasted about, the latter more than once).

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A Damn Fine Espresso: December 2022

This year’s December espresso is a very special episode: a few weeks ago, Alan and Matt visited the Stanley Kubrick Archive at the London College of Communication, a place replete with scripts, research materials, production and post-production documents, props, costumes, sound tapes, publicity material and much, much more. Sadly, it’s obviously not possible to enter the Archives and dive into these documents and materials much like Scrooge McDuck likes to dive into his immense wealth – but we still felt like children in Santa’s grotto (if Santa was the kind of guy who’d direct A Clockwork Orange and Eyes Wide Shut). Prior to our visit, we’d asked to see pre-production materials for 2001: A Space Odyssey and script versions of A.I.., the film that Kubrick himself never got to make. Join us as we talk about this fascinating experience and one of the coolest pre-Christmas presents a bunch of film geeks could ever ask for.

A big thank-you to everyone at the London College of Communication and the Stanley Kubrick Archive for granting us our wish!

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Six Damn Fine Degrees #109: Neverwhere

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

A homeless person lies on the street covered by blankets

Different people experience London very differently. But for Richard Mayhew, the London he ends up in is nothing like any version of London we are familiar with. Well, not if we’re lucky. Up until that point Richard has led a regular life. Office job, an apartment, a fiancée and the small worries that entails. Until, that is, he finds a severely wounded woman on the street and decides to help her. In this world no good deed goes unpunished, and soon after this chivalrous rescue, he starts to become invisible. Or unnoticeable, rather, as his colleagues and even his fiancée seem not to notice him unless he gets right in their face and speaks to them. He has slipped through the cracks into another, more peripatetic London. He rapidly loses everything. Job, apartment, fiancée; because to the people around him he has all but ceased to exist. And so he can think of only one option: descend to the underground into London Below, find the woman he rescued, and somehow make a way back to his previous life.

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Into the night: Angelo Badalamenti (1937 – 2022)

I fell for Twin Peaks before I’d even seen a single scene of the series. I was fifteen and we were visiting with my uncle in the UK. Twin Peaks had just come out, and I was curious, but my parents weren’t watching it, and I didn’t think of recording it at the time, probably because I didn’t have any VHS tapes of my own. Anyway, there I was at my uncle’s, it was getting dark, and I discovered this CD on a shelf. Foggy mountains, some trees, a road curving to the left, and a sign: Welcome to Twin Peaks. I asked whether I could listen to it, they gave me some headphones, and I plonked down on a bean bag next to the stereo system.

And the night enveloped me.

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Six Damn Fine Degrees #108: Stealing Sheep

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I’ve seen a lot of bands live. It’s a perk of living in London. There’s a vast range of venues, from the small and beautiful to the vast and, well, not-so-beautiful. It’s also a pretty essential location whenever artists want to tour. At some point on their schedule, they’ll get a gig in at the capital. This also means that I can see the bands and performers I like multiple times, seeing how they grow and develop.

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I’ll be in my trailer… watching trailers: Who will think of the children?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

The second Black Panther film, Wakanda Forever, has quite a few issues and doesn’t come together nearly as well as its predecessor. At least that was Matt’s take on the film – though it handles Chadwick Boseman’s death with respect and genuine feeling. But since MCU trailers are a dime a dozen, let’s instead lead with a trailer for Boseman’s final films, Ma Rainey’s Black Bottom.

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