The Rear-View Mirror: The Great Escape (1963)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

My mother’s favourite movie genre was war movies, in particular old, English ones. My uncle would send us Betamax tapes with titles such as Battle of Britain, Sink the Bismarck!, Reach for the Sky or The Longest Day scribbled on the side, films about (usually) heroic Brits fighting Jerry. I was never all that much into those, but there’s one that I remember loving from the first time I saw it, and that’s The Great Escape.

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Shamisen Hero

“If you must blink, do it now. Pay careful attention to everything you see, no matter how unusual it may seem. If you look away, even for an instant, then our hero will surely perish.”

— Kubo and the Two Strings

Laika Entertainment may just be the most underrated animation studio currently working. Everyone knows Disney and Pixar, you can barely go to the cinema without seeing a DreamWorks trailer, and Studio Ghibli and Aardman Animations deservedly have a large fanbase. Laika’s gorgeous features, from Coraline to ParaNorman, are mentioned much more rarely, though – which is a shame, since their latest, Kubo and the Two Strings, deserves much more of an audience, as it is one of the most beautiful works of animation I’ve seen in a long time.

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