I’ll be in my trailer… watching trailers: Shaken, not stirred

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week, Alan arrived in 1931 in his journey from the earliest Best Picture winner at the Academy Awards to the present day, with Cimarron.

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One Best Picture After Another #4: Cimarron (1931)

Welcome to One Best Picture After Another – where I attempt to watch all the winners of the Academy Award for Best Picture, starting at the very beginning. And attempt to answer two simple questions – is the film still actually any good? And why did it win?

2/10

The past is a foreign country, they make films differently there. Both critically acclaimed and a box office hit back in 1931, Cimarron‘s appeal seems genuinely mystifying to me today. A Western saga set in Oklahoma that manages to be both clunky, messy and boring, despite having gun fights, family drama and a court case about sex work.

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