One Best Picture After Another – A Damn Fine Cup of Culture

One Best Picture After Another #4: Cimarron (1931)

May 25, 2026May 23, 2026Alan Kuhl GrahamLeave a comment

Welcome to One Best Picture After Another – where I attempt to watch all the winners of the Academy Award for Best Picture, starting at the very beginning. And attempt to answer two simple questions – is the film still actually any good? And why did it win?

The past is a foreign country, they make films differently there. Both critically acclaimed and a box office hit back in 1931, Cimarron‘s appeal seems genuinely mystifying to me today. A Western saga set in Oklahoma that manages to be both clunky, messy and boring, despite having gun fights, family drama and a court case about sex work.

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One Best Picture After Another #3: All Quiet On The Western Front (1930)

May 11, 2026May 14, 2026Alan Kuhl Graham1 Comment

When I was watching All Quiet On The Western Front, I couldn’t shake off the incredible fact that this was made in 1930. It feels so ahead of its time, a brilliant piece of work that casts a shadow on so many films made, not just that year, but for years to come. Mentally I’ve become so accustomed to accepting a certain level of production values when it comes to films made in the first decade of sound, that the fact this film comes along and blows all of that out the water is striking.

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One Best Picture After Another #2: The Broadway Melody (1929)

Apr 27, 2026May 11, 2026Alan Kuhl GrahamLeave a comment

It seems fitting that the first Academy Award for a Sound Picture should go to a musical. The arrival of the Talking Picture had caused all sorts of chaos in Hollywood as it struggled to get to grips with the new technology. However filling the Big Screen with songs was an immediate winner when it came to using the Modern Day Marvel That Is Sound™

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One Best Picture After Another #1: Wings (1927)

Apr 13, 2026May 11, 2026Alan Kuhl Graham1 Comment

Many years ago a movie journalist gave me a very good insight into the type of films that win the Best Picture Oscar. The winner, they argued, will tend to be the film that best reflects the type of film Hollywood – at that time – wants to be making. Not necessarily the films that they know they need to make in order to bring in the money, nor the most technically adventurous or innovative. Nor even the most critically acclaimed. It’ll be the film that the Academy voters working in the industry look at and think: “Yes! That’s the type of film I wanted to make when I chose this career.”

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One Best Picture After Another: Overture

Apr 12, 2026May 11, 2026Alan Kuhl GrahamLeave a comment

Welcome to One Best Picture After Another – our new fortnightly blog where Barista Alan will attempt to watch all the winners of the Academy Award for Best Picture, starting at the very beginning. Before it all begins in earnest tomorrow, here’s his explanation as to why he embarked on this madness.

When it comes to the Academy Award for Best Picture, there’s an adage that goes: “The right pictures get nominated, the wrong picture wins.” And while you could easily do a very long-running blog on all the amazing films that didn’t get close to even a nomination, I think there’s some truth in that. Especially when it comes to the great injustices of the Award’s history, it is almost always framed in terms of a nominated film that is now revered as a classic losing out to a film that is now almost unheard of.