Three women: a queen, fragile of body and mind. Her confidante, advisor and lover, ready to do what it takes to protect her monarch and her country – however much pain it will cause. And then there’s the social climber who, willing to do anything so she’s no longer a victim, tears them apart.
Add nonsensical social rules, wanton psychological cruelty, hilariously strange dancing and lobster references, and yup: we’re in Lanthimos Country.
In this month’s episode Mege and Matt discuss Erik Poppe’s U – July 22, a cineastic attempt to come to terms with the massacre of 69 young people on the island of Utøya, Norway, by a right-wing terrorist. Does the film do justice to its subject? What are the responsibilities of filmmakers depicting recent real-life atrocities? Also, Mege talks about the new Netflix series Maniac, starring Jonah Hill, Emma Stone and Justin Theroux, and Matt speaks of the joys of web-swinging through New York in the recently released game Spider-Man.
Damien Chazelle’s La La Land harks back to another era of moviemaking, but it stands entirely on its own two feet. Sometimes those feet jig and hoof and skip and jump, but they are also able to stand completely still while the head looks at someone else across a crowded jazz bar. It’s a musical, but it is much more. It starts as an exuberant fantasy, and when the romantic bits or the musical numbers run the danger of getting too much, real life comes crashing in, rooting the whole dream in firm ground, only to take off again later. It’s over two hours long, but there are no boring bits. There is funk, soul, jazz, tap-dance and waltz, there are vinyl records and live bands, there is beer and coffee. There is love, and there are kisses, and there are fights. Continue reading