Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
Matt’s been spending some more time in virtual worlds, in particular a digital version of 1980s Wyoming, spotting fires. He wrote about his experience here – which should go well with the Firewatch trailer.
One of the things that video games can do magnificently is create worlds. These posts are an occasional exploration of games that I love because of where they take me.
A lot of gaming is about power fantasies. Okay, perhaps most of us don’t fantasise about being a mustachioed plumber jumping on the backs of turtles or about manoeuvring oddly-shaped blocks in order to form lines, but the clichés are still true a lot of the time: you play in order to become a fantasy hero with a big sword or a soldier with a big rifle or a space warrior with a big raygun. These games can be tremendous fun (and not all power fantasies are as Freudian in nature), but the longer I’ve played games, the less they’re the ones that pull me in most. There are other fantasies (no, not that kind – at least not in this post!): games that let me exist in places where I could never be in real life. For me, it’s one of the main draws of the Assassin’s Creed games: not that they let me become a super stealth assassin with some cool threads and hidden blades, but that they let me explore revolutionary Paris or Victorian London or Ptolemaic Egypt.
And sometimes the fantasies are much more mundane – but fulfilling them is no less fascinating. I mean, how many of us have had the opportunity to become a fire lookout in a North American national park?