Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
Have you ever travelled to a place and seen the sights – and it was a real disappointment, because in your mind, everything was much bigger and better and more amazing? If so, did the movies or other damn fine cups of culture play a role in this disappointment?
Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
Coffeebreak for Ben Kenobi and Luke Skywalker in the Tunisian desert? They are certainly not on Tatooine anymore!
I must admit I get the trouble with sci-fi Mege so pointedly discussed in last week’s post: I was also never quite an ardent fan of the genre as such, finding some of the choices made for supposedly far away worlds oddly quaint and cheap and some of the rubbery prosthetic creatures designed so unbelievably comical that I was not at all convinced any future or outer world would ever look like that. Of course there were great exceptions along the way: the creatures in Alien are suitably scary and beautiful and its realist spaceship and crew utterly believable, Star Wars is identifiably a fairy tale in space rather than science-fiction, and Star Trek’s universally humanist message sugarcoated all the tech talk I didn’t quite understand.
Looking at Ridley Scott’s two last science fiction films, The Martian and Prometheus, provides strong evidence that Scott picks his scripts with little concern for plot and character. Prometheus is one of the best recent examples of the kind of film I wouldn’t mind framing and hanging on my wall, because that’s how it’s easiest to appreciate its merits; however, once you start watching it for its storytelling and paying attention to its characters and dialogues, it turns into a frustrating, deeply silly movie that falls apart the more you think about it. And that’s unfortunate, as Prometheus is a film that desperately wants you to think about it.