Six Damn Fine Degrees #307: How bad is bad?

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I have a strong personal belief when it comes to criticism of art of any kind: critics have to make a distinction between disliking the thing they’re criticising, whether that’s a film or a book, a game or an album, and that thing actually being bad. This doesn’t mean that they have to put every criticism down as a personal dislike: a good critic should be free to think, and state, that this movie or that novel is actually bad. But any critic, or indeed anyone uttering criticism, that seems to think that if they dislike a work it must obviously be bad? They can go take a long walk while I unfollow them and remove their sites from my bookmarks.

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I’ll be in my trailer… watching trailers: Give My Regards to Broadway

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week, Alan’s series of posts about all the winners of the Academy Award for Best Picture since the very beginning continued with The Broadway Melody (1929). No trailer, once again, but here’s the actual film in its full length – enjoy!

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I’ll be in my trailer… watching trailers: No animal, but definitely mineral and vegetable

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

In this week’s Six Damn Fine Degrees, Sam stopped by to check out the storied, colourful career of Roger Corman: producer, director, writer, actor, and the man who boosted the careers of the likes of Martin Scorsese, Jonathan Demme, Joe Dante and James Cameron.

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