The Rear-View Mirror: Jackie Brown (1997)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

Car trunk shot, bare feet, vintage tunes, Samuel L. Jackson: Jackie Brown is clearly a Quentin Tarantino movie, there’s no doubt about that. At the same time, while all the telltale features are there, the film is an odd one out in Tarantino’s oeuvre. Where Tarantino’s movies often have a jittery, adolescent quality in their characters, language and use of violence, Jackie Brown feels like a more… is “mature” the word? … a more mellow film. Compared to the excesses of Reservoir Dogs, Kill Bill, Inglourious Basterds and Death Proof, there’s a grown-up quality (for lack of a better word) to Jackie Brown that is sadly underestimated by some of the director’s fans. At the same time, it would be a huge mistake to think that because of this Jackie Brown lacks the exuberance of Tarantino’s other films – and this is shown beautifully, in miniature, in the movie’s title sequence.

Jackie Brown
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The Rear-View Mirror: Out of Sight (1998)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

There is nothing that can date a movie like style for style’s sake. It’s one of the hallmarks that betrays a movie’s age, and while some stylistic choices can turn a movie into a classic, other styles might simply not age that well. Think about small things like lens flares. Or think about the dogma certificate. That doesn’t mean that they are bad movies; it’s just that sometimes, movies get stuck in the times they were made. Nostalgia isn’t the worst reason to re-visit a movie you haven’t seen in a long time.

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