I’ll be in my trailer… watching trailers: Love and Death in the Middle Ages

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

If a week begins with Stanley Kubrick, it can’t be all bad: Matt started the Criterion Corner, a new feature exploring his Criterion back catalogue, starting with Kubrick’s The Killing. Again, not a bad start for anything.

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Criterion Corner: The Killing (#575)

While I’ve enjoyed the Stanley Kubrick films I’ve seen, I couldn’t say that I have a clear idea of what makes a Kubrick film. I recognise certain aspects or qualities, certain directorial quirks, but I couldn’t say that I recognise a red thread going from Paths of Glory, Spartacus via Lolita and Dr. Strangelove to 2001: A Space Odyssey, Barry Lyndon and finally Eyes Wide Shut, to name just a few. Every now and then there are scenes that remind me of the other films, such as 2001‘s notorious stargate sequence and Strangelove‘s aerial photography – but tonally, I couldn’t claim I have much of a grasp of who Kubrick is as a director, if he even has a typical tone. If anything, I would say there is a drily, drolly, sometimes even bleakly ironic streak that I’ve found in several of his films – but not in all.

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I’ll be in my trailer… watching trailers: I heard a Fly buzz –

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

There are a number of companies that still deliver great physical media for films – Arrow Films and Kino Lorber come to mind, for instance, companies that care about curation and quality. Here at A Damn Fine Cup of Culture, we’ve obviously entered the 21st century and we stream films and TV series, but we nonetheless like a good Blu-ray edition or boxset, and few do this as nicely as Criterion. Late this week, Matt announced a new feature that will have him working off his Criterion backlog – which should start next week with a Kubrick classic. So, while it’s not quite a trailer, here goes…

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Introducing the Criterion Corner

Over the last few years, I’ve stopped buying as many DVDs and Blu-rays as I did in previous years. In part, that’s simply for practical reasons: my wife and I live in a flat that, while it’s absolutely fine in terms of space, is close to reaching the Billy Singularity. There are only so many bookshelves, IKEA or not, that I can conceivably put up in this place and stack with films, books and the like. There’s also the fact that we have subscribed to a number of streaming services, but we’re also still subscribed to regular TV, which includes a number of channels that have a pretty good selection of films. Lastly, I’ve come to realise that I had been buying so many films that, while they were well-reviewed and sounded good, ended up being the kind of films that I’d happily watch once – but I would just as happily leave it at that. No need to buy something that I’m fairly certain to begin with I would watch the one time only.

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