The Rear-View Mirror: The Great Train Robbery (1903)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

It’s easy to miss, but Edwin S. Porter’s short movie The Great Train Robbery from 1903 combines some original movie-making features as well as some first-time ideas for a rather young art form that are still in use today. It starts, innocently enough, with a title card, then a first stage set, where a station agent is bound and gagged by two robbers. There is a lot of overacting because there are no other title cards for the rest of the movie, so gestures and movement must express the characters’ inner lives. There isn’t even a cast list.

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Headspace Oddity: I’m Thinking of Ending Things (2020)

I sometimes wonder: does Charlie Kaufman actually believe that anyone outside his mind is real? His main characters definitely seem to have their doubts. At times they seem to think that they’re the only real people in the world – and they’re not even sure of that. These characters also tend to b the Charlie Kaufman stand-ins in the films, the solipsistic, self-doubting sad sacks struggling with a distinct sense of unreality. If you need others to affirm that you exist, yet you’re not sure that they do, not really? Well, you’re in a bit of a pickle.

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I’ll be in my trailer… watching trailers: The haunting, haunted kind

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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A Damn Fine Cup of Culture Podcast #36: Marilyn Monroe – The Icon, the Movies, the Legacy

d1ad56da-abce-4afe-9f45-79294aede9e32020 being the year in which you make plans only to see them dissolve, we originally had a different topic and guest planned for the September episode – but Robert Burns had it right after all… which means we took the opportunity to bring back Alan and talk about one of the greatest icons of Hollywood cinema: Marilyn Monroe. Join us in a trip through Marilyn’s filmography, as we wonder what could have become of the actress if her life hadn’t cut tragically short.

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The Rear-View Mirror: Archibald Leach (1904)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

On 7 December 1931, a little known stage actor, just signed to a Hollywood studio entered an office and emerged with a brand new name. Everyone in the room agreed that the one he’d been born with wasn’t quite striking and glamourous enough for movie posters and fan magazines. And so, in one short meeting, Archibald Leach became Cary Grant.

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Lost in Winden: Dark (2017 – 2020)

I don’t like being a snob about pop culture. I don’t like pooh-poohing films or TV series, books, comics or video games, that others seem to love. I generally try to find things to appreciate in most media I consume, and if others like them but I don’t, I try to put that down to personal taste. Sometimes, however, I look at what others say about a piece of pop culture and I simply don’t get it. I cannot reconcile what they say about it with the thing itself. It’s almost as if they watched, read or played something entirely different from me.

Dark isn’t entirely like this for me. There are things I genuinely appreciated in the German mystery series. I recognise some of my own reactions in those of others, but the longer Dark went on, the less I felt I could appreciate the things it was good at or ignore what I thought was decidedly less good. Undoubtedly, the makers of Dark are skilled stylists and the series excels at mood and atmosphere, especially in its first season – but then I read articles that call Dark smart, by people who pat themselves on the shoulder for enjoying such a smart, smart series, and my eyes roll in their sockets so much that all I see is blotchy, shapeless darkness.

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I’ll be in my trailer… watching trailers: Not bad, just drawn that way

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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The Rear-View Mirror: Takashi Shimura (1905)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

When people think of Akira Kurosawa, many of them will think of samurai fighting first and foremost, and the face that they will think of most likely is that of Toshiro Mifune. It’s no surprise – Mifune was an actor of tremendous charisma, he had a crackling, mercurial quality that makes it difficult for the audience to take their eyes off him.

Mifune and Kurosawa were frequent collaborators, making sixteen films together. Which sounds like a lot – but Mifune wasn’t the actor that Kurosawa worked with most often. That honour goes to Takashi Shimura (1905-1982), who co-starred with Mifune in Seven Samurai. Mifune’s character and acting were more immediately noticeable, but Shimura and his character Kambei were as key to the film’s success.

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I’ll be in my trailer… watching trailers: Love, monsters, murders – hugs?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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The Rear-View Mirror: The Story of the Kelly Gang (1906)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

When The Story of the Kelly Gang opened in Melbourne Australia on Boxing Day 1906, it was standing room only. Advertised by its producers as “The longest film ever made”, the reels ran over 1200 metres, about an hour. Today there are those who claim it was the very first narrative feature film ever made. Of course films were made before that time, mainly shorts; the Salvation Army, for example, had released many short biblical films in Australia by 1900. Whether they were Australian, American or European films, however, they rarely exceeded 30 minutes, or about 600 metres of film.

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