Six Damn Fine Degrees #177: The definitive version

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Even though these days I’m much more about film and TV, there was a time when literature came first for me. I studied English and American Literatures (as it was called at the time), and later I taught the subject. I had much more time – and, frankly, energy – to read a lot… and even better, while working at uni I was paid to read. And teach, do research, supervise and counsel students, do some admin, assist the professor who was supervising my PhD thesis. I didn’t love every single one of those tasks, certainly – but still, it was a very good time for someone who loved books.

It’s also during that time that I started to get into drama in earnest. Our department had a fairly active drama community, and while I never felt 100% comfortable being on stage myself, this is where I discovered how much I enjoy directing. Sadly, that’s something that didn’t survive my move into other professions: like so many, I had a choice between staying in academia, which would have come at a personal price I wasn’t willing to pay, or leaving and doing other kinds of work, and it’s the latter that won out. I miss a lot about my years working at university (and this site and our podcast are to some extent my way of making up for what I left behind), but I never regret the choice itself.

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I’ll be in my trailer… watching trailers: Waiter, there’s a worm in my desert!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Can one not be on a boat? Is England just a conspiracy of cartographers? And what’s the use of a short, blunt human pyramid? Rosencrantz & Guildenstern Are Dead may not answer any of these questions, but it’s definitely worth visiting and then revisiting – as Julie can assure our readers.

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A Damn Fine Cup of Culture Podcast #79: Dune Part 2

The pod must flow: Julie and Alan are back to talk about Dune: Part 2, and they’re once again joined by friend of the show Daniel Thron, one of the hosts of the Martini Giant podcast… and one of the people who worked on the visual effects for Denis Villeneuve’s adaptation of Frank Herbert’s iconic sci-fi novel. Did our intrepid three enjoy Part 2 as much as they did the first part? Did Villeneuve & Co deliver on the promises of the 2021 film? What are the choices Denis Villeneuve and his collaborators made in bringing this complex, much-beloved book to the screen? What was changed, and to what effect? How damn cool was the worm riding when the film finally got to it? (Spoiler: Very damn cool.) And where does Dune: Part 2 place its characters for the likely third film, based on Herbert’s sequel Dune Messiah?

P.S.: If, like us, you’re a fan of Dan Thron and his thoughts on film, make sure to check out these earlier episodes featuring him:

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Six Damn Fine Degrees #176: Rosencrantz and Guildenstern Are Dead

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

~ There are answers to everything. There were answers everywhere you looked…

In Act 2, Scene 2 of Hamlet, two courtiers appear in order to gain the Prince’s confidence and to spy on him. Our “much changed” Prince appears to have gone bonkers, and the two old friends are to find out what afflicts him. The King can barely tell them apart and the Queen steps in to correct him.

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I’ll be in my trailer… watching trailers: Stop. Go. Kill. Die.

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

What kind of trailer fits with a post about Euro coins? Well, if the face on the coin is that of Nikola Tesla, it’s not that difficult. Courtesy of the man who put Ethan Hawke in the aisles a Blockbuster and let him deliver the “To be or not to be” soliloquy, here’s…

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Sight and Sound: Man with a Movie Camera (feat. Roksana Smirnova and Misha Kalinin)

Wikipedia describes Man with a Movie Camera, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman and edited by Vertov’s wife Yelizaveta Svilova, as an “experimental 1929 Soviet silent documentary film”. What kind of images does this conjure in your mind? My knowledge of Soviet art isn’t particularly broad, but it’s biased by what I’ve seen of Soviet propaganda: heroic, productive workers, didactic visuals showing us what the ideal communist world ought to look like. A utopia that, with the benefit of hindsight, often looks phoney, frightening or both.

Whatever I might have expected of Man with a Movie Camera, it’s very different from what the film actually is: an audacious, joyful approach to an art form that, even 36 years after its birth, was still in its infancy in many ways.

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Six Damn Fine Degrees #175: A Game of Coins

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

On the 1st of January 2023, the Republic of Croatia adopted the Euro as its currency. It joined a currency union that stretches across the continent where around 350 million people use the same money. Well, not quite exactly the same. When a country joins, they are able to mint their own Euro coins, with a national design on one side. A coin that can be used wherever Euros are accepted.

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I’ll be in my trailer… watching trailers: I call the xenomorph ‘Bitey’!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Remember that time when most of us were excited for Game of Thrones? When we’d look at the new cast members for the upcoming season and get even more excited? Sam’s interest in Game of Thrones began and, sadly, peaked with him bumping Jonathan Pryce in Dubrovnik, where he (Pryce, that is, not Sam) was filming for season 5 for what was at one point the hottest series on TV. Check out Sam’s Six Damn Fine Degrees for more on this encounter!

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Love, longing, loss: All of Us Strangers (2023)

Would you say that, when you were a child, your parents really knew you? Did they see the person you considered yourself to be? Were there things you wished they’d known about you, but you were afraid of what they would think if indeed they did know? Did you feel that, in so many ways, you and your parents were strangers to one another?

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Six Damn Fine Degrees #174: Walking into Game of Thrones in Croatia

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Just like Mege confessed in last week’s post, I also stopped watching Game of Thrones after few seasons, not because I hadn’t initially found it riveting and exciting, but because the rampant sex, violence and surprise deaths had taken away pretty much all the characters I cared for by just the end of season 3 (especially in the infamous ‘Red Wedding’ episodes). My nerve-rattling and character-investing had largely been in vain, and so my friends and I called it quits.

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