Criterion Corner: Hud (#1319)

There is a certain thrill to seeing a movie star of tremendous charisma, a leading-man type we’re drawn to, play a character that is offputting. Certain stars we got to know as villains: Willem Dafoe, for instance, or Ralph Fiennes, Alan Rickman or Mads Mikkelsen. The beloved Gary Oldman arguably rose to stardom playing mostly bad guys, even if some of them were tortured and romantic. But there’s a difference when a leading man with leading-man looks appears on the screen – and does something horrible. Remember Henry Fonda’s introduction in Once Upon a Time in the West? Part of what makes that scene so effective is that the sadistic man we see murder a boy in cold blood is portrayed by the actor who played iconic paragons of integrity such as My Darling Clementine‘s Wyatt Earp or 12 Angry Men‘s Juror #8.

Continue reading →

The Rear-View Mirror: The Visit (1956)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

If you grow up around here in the German-speaking part of Switzerland, you will be confronted with the oeuvre of one Friedrich Dürrenmatt, if you want to or not, at some point during your school years. You might read some of his shorts, like The Tunnel (1952), or one of his crime novels, such as The Judge and His Hangman (1950, made into a 1975 film directed by Maximilian Schell and starring Jon Voight, Robert Shaw, Jacqueline Bisset and Martin Ritt). There is Max Frisch with his questions about identity, but it’s Fritz who has a slight advantage of seeing his plays performed in front of droves of school classes.

Continue reading →