Six Damn Fine Degrees #73: Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Philosophy? Honestly? Old dudes with beards? Nope, not for me. That was, until I picked up a German soft-cover edition of Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance (1974). The cover looked good, promising some sort of roadside adventure, the blurb sounded intriguing. Pretty far away from dull old philosophical babbling, I thought.

The book is about Pirsig’s travels by motorcycle with his son Chris. It took me long to realise that the other alter ego in the book, undergoing electroconvulsive therapy because of his schizophrenia, was of course also Pirsig himself. There are some philosophical moments in the book, but by and large, we are witness to the road trip and to Pirsig’s mental illness.

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Six Damn Fine Degrees #68: The trouble with Sci-Fi

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

To quote Harrison Ford: it took me a long, long, long, long, LONG time to warm up to sci-fi.

You travel through space and time and end up with what is supposed to be an exciting new planet with an unknown species – played by clearly human actors standing around in what looks like – oh, I dunno, the Moroccan desert? Yes, I know, there is a limit to every budget, but sci-fi has such promise to dazzle me with something I have never ever seen before, only to disappoint me with the constraints of movie-making and its financial limits. If you want me to follow you to a place where no man has gone before, make sure the make-up department isn’t already there before us, setting up their trailer. Needless to say, I was never a Trekkie and never understood the exuberance of the operatic derring-do of something like Star Wars. To me, A New Hope looked like fun, but it was essentially a western set in space. It was all too familiar because most things and places and beings looked… too close to home. Not strange enough.

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Six Damn Fine Degrees #67: Galaxy Quest 

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

In a galaxy far, far, far away, a peaceful and slightly naïve alien cephalopod community is under attack by a cruel imperialist army of crustaceous insect people. Their response is to utilise what they take to be documentary footage of a spaceship, peopled by a human crew, which can evidently protect its inhabitants and travel throughout the universe. From these “historical documents” they replicate this spaceship including all of its technology, regardless of whether they completely understand its exact use, and use it to flee their aggressors. When the threat becomes ever more extreme and their numbers dwindle, they decide on a radical plan. They will find the original crew of the human-populated spaceship from the actual historical documentation, and plead for their help.

Unfortunately, the “historical documents” turn out to be a cheesy TV show from planet earth called Galaxy Quest, its plywood spaceship peopled by actors rather than a bold crew of explorers.

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Rubberband… love? Licorice Pizza (2021)

Acolytes of PTA beware: there be spoilers.

There is a barely hidden secret at the heart of Paul Thomas Anderson’s Licorice Pizza, and it’s just behind the fig-leaf of that tender coming-of-age love story, as whacky as it may be, that we are supposed to take as the main story. It’s that both Alana Kane (Alana Haim) and Gary Valentine (Cooper Hoffmann) know pretty well what they want to do with their lives. That might come to us as a surprise, and to them as well, and their next few months are not without pitfalls and mayor changes, but for all their uncertainty, they have their plans and ideas. And if that includes their gravitating towards each other, then yay, all the better.

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Six Damn Fine Degrees #62: The Cat’s Meow

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Peter Bogdanovich is probably best known for his early films such as The Last Picture Show or Paper Moon, although to a modern audience his face might be most recognizable as Dr. Elliot Kupferberg, the psychiatrist’s psychiatrist in The Sopranos. For all his many accomplishments I am perhaps most fond of his interviews. Books such as Who the Devil Made It or Who the Hell’s in It. His epic three-hour interview with Orson Welles, or the wistful Directed by John Ford. Bogdanovich was not just a filmmaker, he was a lover of movie culture and – notably – of movie lore.

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Six Damn Fine Degrees #60: My daughter, the Marvel fan

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I would have liked to dazzle you with a cool origin story, but I can’t remember how and when my favourite daughter found her love for the Marvel Cinematic Universe. I am pretty sure she saw the first few movies in chronological sequence at home on BluRay, too young to have seen then in the theatres, so Tony Stark, Cap and the Hulk came to her at home, and it was probably the first Avengers movie that she saw in an upholstered seat, ticket in hand, with a bag of popcorn, on the big silver screen. But she was hooked long before that.

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Six Damn Fine Degrees #57: Naked (1993)

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

“It is important to set up for the audience the worst possible picture of this guy.”

This is how Mike Leigh describes the pre-credit scene, the very first moments in his film, and the very first glimpse we get of Johnny, its protagonist. We see him from behind, committing what is, or certainly turns into, a rape. Then he runs off, steals a car, and while he is underway over the almost empty highway to London, the credits roll.

Charming bloke, this Johnny…

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Six Damn Fine Degrees #56: J. M. W. Turner, The Fighting Temeraire (1839)

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

A year ago, a medical professional recommended that I reserve a spot in my apartment for an object or an image that would just be there for me to look at and enjoy. I made a mental list of possible candidates, getting to my number one by process of elimination, so when a picture of the young Monica Bellucci ended up in second place, it was finally clear what I had suspected all along. I had a framed print of Turner‘s Fighting Temeraire leaning against the wall, still unhung. It had been on the list early on, but I never thought it would have made it to the top spot. So up there it went.

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Six Damn Fine Degrees #54: Why adoring Angela Lansbury is easy as pie

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

There is hardly any other living actress of her generation that has been as universally adored as Angela Lansbury (96). That might sound like a pretty bold statement at first, considering that she was never really considered an ‘A list’ actress in the world of cinema, and her roles, although charming, were often supporting in the best sense of the word. However, reading about the Stephen Sondheim musical adpatation of the tale of Sweeney Todd in Julie’s comprehensive piece from last week, in which Lansbury so memorably played murderous pie-maker Mrs. Lovett, only increased my adoration for this truly universally talented actress in the many fields of her craft.

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Men & Algorithms: Riders of Justice (2020)

What is the probability of a Danish soldier joining forces with a bunch of grown-up nerds to wage war on a biker gang in order to exact revenge for the death of the soldier’s wife? And what’s the likelihood of that plot resulting in a film that manages to be both funny and poignant? Mathematically speaking, the likelihood increases if the film in question stars Mads Mikkelsen and Nikolaj Lie Kaas and is written and directed by Anders Thomas Jensen, whose earlier film Adam’s Apples (about a pathologically optimistic priest trying to reform a bunch of Neo-Nazis and other deplorables) was an unlikely hit.

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