Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
Does Death only play chess? Or could he also be talked into a different challenge, say, Mario Cart or Goldeneye on the Nintendo 64? Then again, if you’re a Swedish knight returning home from the Crusades, it’s probably the Game of Kings that lends itself to the situation. So yes, you’ve probably guessed correctly: The Seventh Seal was the most recent stop on Matt’s travels with Ingmar. Hey, it doesn’t get much more iconic than that!
I like Pixar movies, by and large, but I’m not as over the moon with them as many others. For one thing, I got extremely annoyed with John Lasseter when I got the Studio Ghibli films on DVD and had to sit through his patronising “My dear friend, Miyazaki-san…” and “You are very lucky…” intros; but also, I felt around Monsters Inc. and especially Finding Nemo that they were getting way too sentimental for their own good.
However, I loved The Incredibles. Yes, it also had that “family is the best” vibe that Nemo had, but it was done a lot less sappily. It was sweet but stayed quirky at the same time – and it was a lot darker in parts than Nemo – which basically did the Bambi thing by killing off Nemo’s mother, but apart from that there was little to no edge to the film. The Incredibles, on the other hand? Remember the scene when Mr. Incredible finds out what’s been happening to all the supers? Or the one where he almost kills Mirage? Also, there’s something very real about Mrs. Incredible’s fears that her husband is cheating on her – which is a fear you won’t find in many movies produced by Disney, I’d wager.
I also liked Ratatouille a lot – and there’s a subtle, quiet scene late in the film that brought a lump to my throat. I remembered that lump from another film by the same director: The Iron Giant. More than most directors of animated movies, Brad Bird is a deft hand at mixing the sentimental and the funny, real pathos and sheer goofiness. While Ratatouille is a very different film from The Iron Giant and indeed The Incredibles (the latter two go much more for the iconic, namely ’50s cold war paranoia and superheroes), all three of these films show a subtlety that is rare in American animation, so that a short, simple scene can break your heart.
I also liked Lifted, the Pixar short that was shown before Ratatouille. I hadn’t been that mad about For the Birds (shown before Monsters Inc., I think) or the jackalope one (Boundin’), since both of these got on my nerves after roughly one minute (they weren’t quite as clever or loveable as they thought they were, as far as I’m concerned), Lifted had a simplicity of story and design that worked very well for me. So, courtesy of YouTube, here’s Lifted:
Okay, today’s going to be short on words by me – and long on irony/hypocrisy/YouTube videos! (Well, I did say I loved YouTube, I don’t just hate it…) I’ve been looking at my book of Sandman dustcovers, and I remembered how much I like Dave McKean’s work. Not all of it – I was less than keen (yes, I did misspell that as ‘kean’ first) on Mirrormask, for instance – but much of it is beautiful and disturbing to me. Most of all his illustrations for Neil Gaiman’s Mr. Punch, probably.
So this is where I shut up and give you two YouTube videos. One is by McKean himself, and it combines my love of his work and of Shakespeare’s writing; the other is by Jan Svankmajer, an obvious influence on McKean. Don’t watch the latter if you’re easily freaked out – or if you like your animation quick and frantic.