Six Damn Fine Degrees #4: Star Trek: The Motion Picture

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Following on from Alan’s retrospective on the inimitable The Curse of the Cat People, we’re making the leap this time from a horror-sequel-that’s-actually-a-sensitive-drama to a sci-fi movie that’s actually not all that bad. What links both of them? Director Robert Wise, who replaced Gunther von Fritsch after Curse‘s shoot fell behind schedule. Wise went on to have a storied career as a master genre-hopping craftsman responsible for classics like West Side Story and The Day the Earth Stood Still — and a full thirty-five years after Curse, he went on to direct Star Trek: The Motion Picture.

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I’ll be in my trailer… watching trailers: Back from the dead, and mad as hell

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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Six Damn Fine Degrees #3: Curse Of The Cat People

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Following Matt’s dislike for the cat-shaped shenanigans of Garfield, I thought I’d follow up with something far more positive in the world of the feline: Val Lewton’s incredible Curse Of The Cat People.

When it comes to Hollywood, the rationale behind sequels is obvious. We’ve had a success and made money. Let’s make more of the same and make even more money. In 1942, RKO Pictures had a big hit with Cat People, a low-budget horror about a woman who fears she’ll transform into a panther if aroused by passion. So the bigwigs at the studio made the obvious call. The public liked the mix of feminine desire laced with the threat of feline danger so let’s make a sequel. Hence they were to greenlight:

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The Compleat Ingmar #18: Through a Glass Darkly (1961)

The door opened, but the god was a spider. He came up to me and I saw his face. It was a terrible stony face. He scrambled up and tried to penetrate me, but I defended myself. All along I saw his eyes: they were cold and calm. When he couldn’t penetrate me he continued up my chest, up into my face and onto the wall. I have seen God.

The individual elements of Through a Glass Darkly are familiar. We’ve previously seen Bergman play with techniques familiar from the horror genre, especially in Hour of the Wolf. We’ve also seen his characters grapple with mental illness, as well as with religion and crises of faith. However, Through a Glass Darkly feels quite different from these other films – perhaps because of its intense focus on its central female character, another striking addition to the cast of women created by Bergman and his leading actresses throughout their collaborations. Bergman’s male protagonists are often weaker than his female characters, but this time, they are basically a supporting cast to the female lead. Without a doubt, the star of this film is Harriet Anderson.

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I’ll be in my trailer… watching trailers: Check, mates

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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Six Damn Fine Degrees #2: Garfield

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

We started our free-fall association into culture with Julie’s sublime entry on John Garfield. We continue with a sudden, nauseating lurch towards something rather more ridiculous. Have you ever had a close look at the things you liked as a child… and shuddered?

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Hang in there, kid, you’ll make it through: The Personal History of David Copperfield (2019)

To get this out of the way: how much did I like The Personal History of David Copperfield? Well, fifteen minutes into the film I felt like I had been enveloped in a warm hug, and I wanted to return the favour and hug back the film and everyone involved in it. Who would have thought that the man who brought us foul-mouthed political enforcer Malcolm Tucker and the pitch-black political satire The Death of Stalin would also be the writer-director of one of the most delightful films of recent years?

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I’ll be in my trailer… watching trailers: WE DIG THESE TRAILERS, BY A LOT!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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A Damn Fine Cup of Culture Podcast #38: It’s (a)live!

At A Damn Fine Cup of Culture, our wheelhouse is mostly films, TV series, books – the damn fine cups of culture that you can enjoy at your own leisure, in your own time, at the turn of a page or the push of a button. There is an entirely different world of culture out there, though: live performance. Join Julie, Matt and our guest for November, Nicolette Kretz from AUAWIRLEBEN, the theatre festival happening annually in Bern, Switzerland, as we talk about why we love live performance, what some of our favourite live performances have been, and how 2020 – the year of COVID-19 – has been an opportunity for many to rethink what makes a piece of culture live.

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Six Damn Fine Degrees #1: Body and Soul – John Garfield.

I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation between us and everyone else on this planet. The president of the United States, a gondolier in Venice, just fill in the names. It’s not just big names, it’s anyone. How everyone is a new door opening into other worlds. Six degrees of separation between us and everyone else on this planet…

Welcome to our new weekly feature: Six Damn Fine Degrees. These installments will be inspired by the idea of six degrees of separation, in the loosest sense. One contributor writes about the film Six Degrees Of Separation, to which we owe the partial quote above? The next piece might be about Will Smith, who is in it. Or Sydney Poitier, whose son Smith’s character claims to be. Or John Guare, who wrote the original play. Or even Pam Grier, who was snubbed for a Best Actress Oscar, as was Stockard Channing. And it needn’t be just people. It can be plays, music, books, films, video games, anything we, as culture baristas, feel we should write about. The only rule is that it connects – in some way – to the previous installment. We hope our readers will enjoy our forays into interconnectedness. As the man said: it’s a small world, after all.

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