The Rear-View Mirror: James Stewart (1908)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

When I think of James Stewart, I think of his everyman persona, not too dissimilar to that of, say, Tom Hanks. I think of him as the perennial regular Joe, the guy next door. A decent man. Exasperated, perhaps, but fundamentally good. So it always comes as something of a surprise when I watch one of his films – Vertigo, obviously, but even Frank Capra’s Christmas evergreen It’s a Wonderful Life – and find something more interesting, more complicated.

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The Rear-View Mirror: It’s a Wonderful Life (1946)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

Bear with me, even though it’s still a few weeks before Christmas, but there’s no way we can’t talk about Frank Capra’s eternal holiday classic now that the Rear-View Mirror is reflecting the year 1946 back at us. When Frank Capra is mentioned, it’s easy to think of a certain kind of corny sentimentality, doubly so when the film in question is It’s a Wonderful Life. The fairy-tale ending, the song about lassoing the moon, the twee story about how an angel gets his wings whenever a bell rings, and Zuzu’s damn petals: it’s easy to be dismissive of the film. Easy and wrong.

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Have yourselves a merry little Christmas

Well… the blog is almost three months old now. And Christmas, the most unrelenting of holidays is upon us. Run! Or, alternatively, grab some eggnog, lean back, and enjoy some festive YouTube clips, courtesy of… well, YouTube.

And have a merry Christmas!